Similar to the Gershwin Brothers, Willie Nelson transcends genre and era. Willie reprises “Someone to Watch Over Me,” and ten other Gershwin tunes on his latest release Summertime—a stylized and smooth journey back to the classical era of pop, yet still mostly defined by Willie’s signature warble and nylon string tone.
You look at these two guys, and it is living history right in front of you. But they aren’t living history museum pieces. They are lucid, active participants in the music community, still writing and singing songs, still with the fire inside them to contribute to the genre they helped create, and pay country music forward to yet another generation of loyal and appreciative fans.
Willie Nelson and Merle Haggard are pairing up once again. This was the one nugget of important information squeezed between pot jokes when Willie Nelson made an appearance on Jimmy Kimmel Live on Friday evening (3-21) as part of South by Southwest (SXSW) festivities in Austin, TX. It won’t be the first time the two country music legends have released an album together, and it may not be the last.
Yes, if you thought Willie Nelson already released an album this year, you would be correct. But Willie was not done in 2014, and released Willie’s Stash, Vol. 1 December Day on 12/2. This is not a Christmas album as some may assume from the timing and title (and others have purchased believing it to be according to a couple of emails I’ve received).
I then thought about how he had left me in stewardship of his old guitar, an instrument that, from my perspective, already has provenance and should rightly wind up in a museum one day. I decided that, to honor that trust he had in me, I would continue to add to the instrument’s already storied life by doing a running portrait series of every musician that plays his old guitar.
Billy Don BUrns, Django Reinhardt, Filthy Still, Hellbound Glory, Husky Burnette, James Hunnicutt, Jared McGovern, JB Beverley, Leroy Virgil, Leroy Virgil's guitar, Liz Sloan, Lone Wolf, Mike Fiedler, Olds Sleeper, Phillip Roebuck, Shore Road Tavern, Stevie Tombstone, Ten Foot Polecats, The Calamity Cubes
Let’s Face The Music & Dance is an album of classic standards, performed with Willie’s “Family Band” that now principally includes sister Bobbie on piano, and Mickey Raphael on harp. It is not a country album in the traditional sense of the term. But the music hearkens back so far, and this entire album is so awash in those well-recognizable Willie tones, it still has plenty of country feel to it.
I’m convinced. Ruby Jane was sent to earth by God to save country music. All accolades I lapped on the 15-year-old fiddle-playing fenom when I said You Need Ruby Jane In Your Life were validated, if not proved to be too tempered after seeing her live at Dallas’s historic Kessler Theater on Friday. Really, I […]