In a recent interview, Willie Nelson said he has a Roger Miller tribute album on the way. He also told the story of how he once turned down recording “The Gambler.” Written by Don Schlitz, it became the signature song for Kenny Rogers when Kenny released it in 1978.
As first reported by Saving Country Music weeks ago, Willie Nelson’s next record will be a tribute to Ol’ Blue Eyes himself, Frank Sinatra. Now we have confirmation and details of the new record to be called My Way that is set to be released on September 14th via Sony’s Legacy Recordings.
Willie Nelson calls Frank Sinatra a “close friend,” and the two played shows together in Las Vegas, and even once recorded a PSA for NASA together. “I learned a lot about phrasing listening to Frank,” Willie says. “He didn’t worry about behind the beat or in front of the beat, or whatever – he could sing it either way…”
Similar to the Gershwin Brothers, Willie Nelson transcends genre and era. Willie reprises “Someone to Watch Over Me,” and ten other Gershwin tunes on his latest release Summertime—a stylized and smooth journey back to the classical era of pop, yet still mostly defined by Willie’s signature warble and nylon string tone.
Buddy Cannon, Cyndi Lauper, Django Reinhardt, Frank Sinatra, George Gershwin, Gershwin Brothers, Ira Gershwin, Legacy Recordings, Merle Haggard, Review, Sheryl Crow, Stardust, Summertime: Willie Nelson Sings Gershwin, Willie Nelson
In every sense, “Gentle On My Mind” has become an American standard by sharing the sentiment of a generational mood ever present in the human experience. And its 2015 Grammy is just more validation for the song’s timeless impact, and the timeless impact of the song’s writer, John Hartford.
George Jones. The Possum. Possibly the man whose life and story embody the themes of a country song better than anyone. From rags to riches, back to rags, and eventually onto rehabilitation and redemption, George Jones was a man that faced demons more fierce than any of us can imagine, and eventually came out on top. Was he a badass? You bet, and here’s 10 reasons why.
ACE, Alan Jackson, Bobby Braddock, CMA Awards, Dolly Parton, Don Chapel, Frank Sinatra, Garth Brooks, George Jones, Hank Williams Jr., He Stopped Loving Her Today, Johnny Cash, riding lawnmower, Tammy Wynette, The Association of Country Entertainers, Vince Gill, Waylon Jennings, Who's Gonna Fill Their Shoes
In Time is not simply the best album in country music in 2013, it is arguably one of the best, if not the best album in all of American music, and for it not to win the day in it’s home genre of country music would be a silly oversight, and tough to justify as In Time only becomes fortified by the test of time, divested from trend or taste as it is, and embedded with such universal appeal.
“That night in my house [was] the first time these songs were heard…” Johnny Cash went on. “Joni Mitchell sang ‘Both Sides Now,’ Graham Nash sang ‘Marrakesh Express,’ Shel Silverstein sang ‘A Boy Named Sue,’ Bob Dylan sang ‘Lay Lady Lay,’ and Kristofferson sang ‘Me & Bobby McGee.’ That was the first time any of those songs were heard.”
A Boy Named Sue, Bing Crosby, Bob Dylan, Both Sides Now, Carl Perkins, David Letterman, Duran Duran, Elvis Presley, Frank Sinatra, Graham Nash, Jerry Lee Lewis, Jimmie Rodgers, Johnny Cash, Joni Mitchell, Kris Kristofferson, Lay Lady Lay, Marrakesh Express, Me & Bobby McGee, Million Dollar Quartet, Million Dollar Songwriter Circle, Ministry, Nashville Skyline, Shel Silverstein, The Byrds, The Highwaymen, Willie Nelson