Notch yet another #1 for Willie. 84 years of age, and Billboard’s new rules that register streaming data in the album tabulations can’t keep Willie Nelson from topping the charts this week with his first record of original material in three years, God’s Problem Child. Willie also notches another Top 10 on the all-genre Billboard 200.
One day, and maybe not too far off in the distant future, you will be bragging about how you lived in the time of Willie Nelson. Whether you’re an oldtimer and remember buying his records new on vinyl, or you discovered Willie in your college years as a back catalog artist, you lived on Planet Earth at the same time as Willie Nelson.
Windy City from Alison Krauss comes in at #1 on the Billboard Country Albums chart for the week ending February 23rd, and also comes in at #1 on the Bluegrass Album Chart, #2 on the Americana chart right behind Ryan Adams’ Prisoner, and #5 on the all-genre Billboard 200.
A tribute is finally planned for The Hag, and it promises to be a star-studded event. ‘Sing Me Back Home: The Music of Merle Haggard’ will take place at Nashville’s Bridgestone Arena on Thursday, April 6th to honor what would have been Merle Haggard’s 80th birthday, and to mark the one year anniversary of his passing.
The 83-year-old Willie Nelson certainly isn’t slowing down for anything. In fact he’s been been releasing records a a pace quicker than one per year since signing with Sony’s Legacy Recordings, but those are not always recordings of original music. That will not be the case with his newest project called ‘God’s Problem Child.’
Similar to the Gershwin Brothers, Willie Nelson transcends genre and era. Willie reprises “Someone to Watch Over Me,” and ten other Gershwin tunes on his latest release Summertime—a stylized and smooth journey back to the classical era of pop, yet still mostly defined by Willie’s signature warble and nylon string tone.
Nothing Shines Like Neon has all the liquor, beer, bar scenes, and sultry interactions with lovers you might hear on some mainstream country record, except it tells the story from the opposite perspective—the more realistic perspective. It’s where libations aren’t just flowing to party hearty, but to help douse heartbreak.
Ladies and gentlemen, we now live in a world where not even King George remains relevant on country radio. Isn’t that the sad, ever present revelation of the living—that time marches on, and no matter how important something was in the past, the present moves forward, callously at times, and the greatest of efforts are relegated to moments of fond reminiscing.
A common criticism of Texas country is that it has become a kissing cousin to Nashville’s Music Row over the last few years, especially with so many of the region’s top acts, including the Randy Rogers Band, signing with Nashville-based outfits. But the band returning to their independent roots is a good sign they will make whatever album they wish, without the influence of Music Row’s commercial interests.
A massive Waylon Jennings tribute show in Austin, TX has just been announced, and the lineup is something to salivate over. Set to transpire on July 6th and Austin’s Moody Theater (where Austin City Limits is taped), organizers Blackbird Music Group made use of the fact that many of the big names would already be […]
If 2013 was the “Year of the Song” and 2014 was the “Year of Sturgill Simpson,” 2015 may just go down as the “Year of the Collaboration.” The Congress of the United States has yet to recognize 4/20 as a holiday, or that the possession of the leafy green is legal in all 50 states, but it made for the perfect excuse for Willie & Merle to release the first single from their upcoming collaboration called, “It’s All Going to Pot.”
Yes, if you thought Willie Nelson already released an album this year, you would be correct. But Willie was not done in 2014, and released Willie’s Stash, Vol. 1 December Day on 12/2. This is not a Christmas album as some may assume from the timing and title (and others have purchased believing it to be according to a couple of emails I’ve received).
Jamey Johnson will be releasing “The Christmas Song,” But that’s not where the goodies stop from the songwriter. Announced today, November 24th, Jamey Johnson is starting his own record label called Big Gassed Records. The first release will be the Christmas EP, but there will be much more music on the way. “From now on, as soon as I can get it written and recorded, we will make it available,” says Johnson.
All we’ve been hearing from Kenny Chesney in the run up to the release of his new album The Big Revival is how badass it is going to be because he took an entire year off of touring to focus on it, at one point scrapped an entirely completed album awash in beer and tailgate songs to make it, and did some serious soul searching about the direction he wanted to take.
The Jamey Johnson contract dispute that has kept the songwriter from releasing any new original material since his double album The Guitar Song in 2010 is not with his label as some have surmised, but with his publisher according to a new interview posted Wednesday (7-9) in The Nashville Scene. Jamey Johnson’s publisher is EMI Music Publishing in Nashville.
Let’s face it. Willie Nelson could take his sweaty, old man-smelling headband off, slingshot it out to center stage, and it would still be more enriching than what most of modern country radio has to offer. Simply the tone of his voice immediately puts the inertia of nearly a century of noble contributions to country music behind whatever he does.
Willie Nelson’s next album Band of Brothers is set to be released June 17th, and his latest original song in a legendary, if not unparalleled songwriting career is simply called “The Wall.” Band of Brothers breaks from Willie’s recent output of albums of mostly covers by including nine Nelson-penned tracks as part of the 14-track album.
To All The Girls is Willie Nelson’s third album to come from his recent partnership with Sony’s Legacy Recordings, and the second to come out this year. The record features an ample 18 tracks, each constituting a duet with a female counterpart drawing from a wide swath of talent that includes both legacy names like Loretta Lynn and Emmylou Harris, and some new names like The Secret Sisters and Brandi Carlile.
