A once-in-a-lifetime event happened on January 12th, 2019 when a wide-ranging assemblage of talent from country music and beyond came together at the Bridgestone Arena in Nashville to pay tribute to Willie Nelson. Called ‘Willie: Life and Songs of an American Outlaw,’ it’s being released on CD and DVD.
Though we’ll never forget, it will be impossible to not remember all those good times Jerry Jeff afforded us, and feel a rush of incredible sadness proportionate to the impact Jerry Jeff Walker had on music, and people, and places, which was infinite.
No matter how many years you have to count back to when Kenny Chesney was the top male performer in modern country, he is still the man at the top of the heap when it comes to touring. Aside from Garth Brooks, Kenny Chesney is only the guy who can consistently fill stadiums with his huge fan base known as “No Shoes Nation.”
The original Willis Alan Ramsey album released in 1972 is the stuff of legend. Considered one of the very foundations of the Austin music scene that was just starting to emerge as a point of national interest at the time, the enigmatic songwriter recorded 11 original songs for Leon Russell’s Shelter label, and they would go on to be covered…
American, Bruce Robison, Captain & Tennille, Jerry Jeff Walker, Jimmie Dale Gilmore, Jimmy Buffett, Lyle Lovett, Marcia Ball, Mockingbird Blues, Shawn Colvin, The Next Waltz, Waylon Jennings, Willias Alan Ramsey
The historic building standing at 152 Nassau Street in downtown Atlanta that was days from demolition has received a stay of execution from an Atlanta judge. Considered the true birthplace of country music for the time in 1923 when recording engineer and producer Ralph Peer captured Fiddlin’ John Carson in the space.
Worried preservationists can parrot their concerns all day, but the King of the Parrotheads may be the only one left who has the audience and authority to step in and help preserve this historic landmark by bringing attention to the significance of the building sitting at 152 Nassau Street in Atlanta, and saving this important piece of country music history.
If Kenny Chesney hadn’t spent the last 20-something years of his career beating down the country music listening public with his barrage of island and beach songs, we probably would be talking about how his latest record ‘Songs For The Saints’ is a striking piece of conceptualized album making/
When you think of music towns and songwriting havens, your head naturally gravitates toward Nashville and Austin, Bakersfield and L.A. and such. You rarely think of Key West in Florida as a musical destination for songwriting or anything else musical, unless you have a Parrothead sticker on the back of your SUV.
At this point, Toby Keith is a relic. What talent he had was questionable to begin with, and he hasn’t ever really evolved for there. Time has passed Toby Keith by, and he doesn’t have the fluidity or desire to change with the times, or the quality it takes to be considered classic. But this album is far from the problem.
72 hours have passed since Toby Keith delivered a drunken performance at the Klipsch Music Center just outside of Indianapolis on Saturday Night, and angry fans, some of which spent upwards of $300 for tickets, have still yet to receive any apologies or explanation. Though the complicit country music media has completely avoided this story, many major local news outlets in Indianapolis and elsewhere.
The question about David Allan Coe has never been if he’s a badass, but if he’s a little too badass. Some of his stories are hard to believe. Others are even harder to validate. And others are hard to herald because of the malevolent nature of the occurrences or outcomes. David Allan Coe is a living dichotomy. He’s a scary, weird, train wreck of a man; but an American treasure, and a country music legend.
Billy Sherrill, Cave, David Allan Coe, Dimebag Darrell, Hank Williams, Hearse, Jimmy Buffett, Johnny Cash, Johnny Paycheck, Ladysmiths, Nothing's Sacred, Pantera, Plantation Records, Porter Wagoner, Prison, Rebel Meets Rebel, Ryman Auditorium, Screamin' Jay Hawkins, Shel Silverstein, Take This Job & Shove It, Tanya Tucker, The Grand Ole Opry, The Ride, Underground Album, You Never Even Call Me By My Name
Jake Owen, my man. You know I love you for calling out country that’s all about “fuckin’ cups and Bacardi and stuff like that” and giving my man Tony Martinez a big break on your “Days of Gold” tour. But “Beachin'”? Really? What’s going on here folks is now that Kenny Chesney has been put out to pasture by the country music powers that be, somebody has to step up and fill the void.
Tompall Glaser, who passed away in August, is considered one of the original country music Outlaws, and was one of the most influential men in Nashville in the mid 70’s both as an artist and studio owner. But little is known about this man that brought Music Row to its knees and helped usher in a new era of creative control and sonic innovation for country music. That’s all about to change.
Billy Swan, biography, Del Bryant, Hillbilly Central, Jack Clement, Jimmy Bowen, Jimmy Buffett, John Hartford, Kevin L. Glaser, Kinky Friedman, Marshall Chapman, The Biography of Tompall Glaser, The Great Tompall: The Forgotten Country Music Outlaw, Tompall Glaser, Waylon Jennings
Back in the mid 70’s-the first time country music was saved- The Outlaws of country like Willie Nelson and Waylon Jennings found a home and harbor from Nashville’s ill ways in the Austin, TX singer-songwriter scene. People like Jerry Jeff Walker, Michael Martin Murphy, Townes Van Zandt, and Ray Wylie Hubbard had made Austin a […]