Fear and Saturday Night might be Bingham’s best album yet. This is an album of all peaks and no valleys. As the perfect experience for the classic rock buff hiding in every country and Americana fan, Bingham scrapes the grime off the sweaty denim of 70’s Stones and douses it with a little Dylan poetry set to grooves left in the residue of a Faces studio session and articulated with riffs that awaken the spirit of a freer time.
I’ve been wanting to tug on the sainted Saving Country Music reader’s ear about Moot Davis for years, and who knows what all kinds of dumb excuses have conspired up to this point to not allow that to happen. But the release of his latest “Goin’ In Hot” is just about the perfect damn opportunity if there ever was one to stop everything else down and sing the praises of this man’s contributions.
the image of the angry face and the raised middle finger has become an iconic symbol of defiance against the direction of country music. As indecent as a raised middle finger happens to be in the first place, and the propensity for some seedy country fans and artists to have it make an appearance in every single photo of them, it has come to mean more than its vulgar connotation in the fight to save country music.
Bob Wayne, Country Music, country music flipping the bird, country music middle finger, Dale Watson, David Allan Coe, flipping the bird, Hank3, Hellbound Glory, Jeff Austin, Jim Marshall, Johnny Cash, Jonny Fritz, Keith Richards, Kid Rock, Lenny Kravitz, Leroy Virgil, middle finger, Rick Rubin, story of willie nelson middle finger, Willie Nelson, Yonder Mountain String Band
Whitey Morgan and his bass player Jeremy Mackinder have a very similar symbiotic relationship that made the pairings of Waylon Jennings and his drummer Ritchie Albright, Willie Nelson and his drummer Paul English, into such successful, productive duos: a working relationship that just works, where creativity can flourish while nuts and bolts tasks still get done. During SXSW I sat down with the pair for a chat.
Bloodshot Records, Dale Watson, Deadstring Brothers, Jeremy Mackinder, Joe Satriani, Keith Richards, Levon Helm, Pickathon, Pokey LaFarge, Ray Wylie Hubbard, Sunday Valley, SXSW, Waylon Jennings, Wayne Hancock, Whitey Morgan and the 78's
On February 22, 1956, Elvis Presley played a concert at the City Auditorium in Waycross, GA. Opening for Elvis that night were two brothers, Charlie and Ira, a gospel duo called The Louvin Brothers. In the crowd was a 9-year-old boy, a native of Georgia, born and raised in Waycross. How that boy felt about Elvis that night is uncertain, but The Louvin Brothers left an indelible mark on him that he would carry for the rest of his life.
This is a dude I probably would not write about under normal circumstances. I think he did have a huge influence on the Outlaw Country movement, but it would be a stretch to call him an Outlaw. But I’ve had numerous requests for a Gram Parsons blog, so here we go. This isn’t gonna be […]
Buck Owens, Chris Hillman, David Allan Coe, Dwight Yoakum, Emmylou Harris, Exile on Main Street, Gram Parsons, Keith Richards, Let It Bleed, Merle Haggard, Mick Jagger, Sticky Fingers, The Byrds, The Eagles, The Flying Burrito Brothers, The Rolling Stones, Tompall Glaser