SXSW has not just been canceled for 2020 due to concerns over the Coronavirus. The declaration by the City of Austin of a “local disaster” on March 6th has put the entire organization on the brink, and looking at an uncertain future. SXSW was forced to slash 1/3rd of their full-time workforce.
Country music doesn’t deserve Robbie Fulks, and Robbie Fulks doesn’t deserve the perilous and unjust trappings of country music. This guy should be designing jet engines or transplanting hearts or something. Yet here he is spinning hillbilly tales for penny fractions on Spotify, though we’re not complaining.
Those who don’t know the name soon will. Those who do know the name have probably been wondering why it’s been so long getting here. But the moment has arrived for Jason Hawk Harris to go from an obscure country songwriter and performer, to a name to look out for.
Blooshot Records co-owner Nan Warshaw is officially out at independent record label Bloodshot Records in the aftermath of a sexual harassment scandal. This is the news coming from the label Saturday afternoon (3-9) as the company prepares to trek to SXSW this upcoming week where they have been one of the fixtures of the event.
Bloodshot Records, Jason Hawk Harris, Laura Jane Grace, Lydia Loveless, Mark Panick, Nan Warshaw, Rob Miller, Robbie Fulks, Ruby Boots, Ryan Adams, Sarah Shook and the Disarmers, SXSW, The Vandoliers, The Waco Brothers, William Elliot Whitmore
Bloodshot Records was a stepping stone, and a repository for artists who were too ornery to be signed elsewhere. And that was what was cool about them. It was a punk attitude imprinted on country, and their verbiage about leading an insurgency inspired others to pick up the charge to take country music back, including this very website.
Alt-country singer and songwriter Lydia Loveless has come out with a statement saying that independent, Chicago-based insurgent country label Bloodshot Records did not properly address the behavior of an individual associated with the company who regularly sexually harassed and groped her.
They will tell you that women can’t make it in country music these days, and it’s certainly true that it appears to be more difficult than ever. And if you think it’s tough being a woman in country music, try being a woman in country music who is actually making country music, putting you in the most marginalized category of all.
The punk band NOFX decided that the deadliest massacre in modern U.S. history would make for good joke fodder this weekend, and used country fans and artists as the punch line when they took the stage at the Punk Rock Bowling & Music Festival in Las Vegas, Nevada. Vegas was also the site of the Route 91 Harvest Festival massacre.
Singer, songwriter, and solo performer William Elliott Whitmore will be returning to music with a new album, and a new tour soon, and it will not be on his previous label ANTI, it will be with insurgent country label Bloodshot Records announced on Tuesday (4-24).
The good news about great artists releasing new albums just keeps coming, setting up 2018 as a potential bumper crop year of critically-acclaimed releases, with the latest being Bloodshot Records signee Sarah Shook and her band The Disarmers announcing the release of her sophomore record “Years” on April 6th.
Folk Alliance International will be celebrating 30 years of supporting roots music in North America and beyond at their annual conference taking place on February 14-18, 2018, at the Westin Crown Center Hotel in Kansas City, Missouri. For the second year running, Saving Country Music will help sponsor the Sweet Beaver Showcase.
10 String Symphony, Bloodshot Records, Folk Alliance, Free Dirt Records, Jon Langford, Lisa LeBlanc, Molly Tuttle, Rachel Baiman, Rev. Sekou, Ruby Boots, Sweet Beaver, The Hackensaw Boys, Vivian Leva, Western Flyers
When the topic of discussion turns to legacy alt-country bands, it’s easy for the Old 97’s to get left out of the mix, and unfairly so. Since their epicenter revolves around Dallas, and not Austin, Nashville, or Los Angeles, it seems like they’re always a little more out-of-sight, out-of-mind than their mammoth output and legacy deserves.
Make way you mamby pambys for the steel-jawed and fully-cocked musical madness coming at you like a face full of claws from the unhinged and wild-eyed “Dirty Ol’ One Man Band” known as Scott H. Biram. That grit in your eyes and those shotgun pellets you’re spitting out is how you know this is the real deal.
There are so many unofficial parties, we could list 200 here and still leave some out. But in an effort to curate the noses of those Saving Country Music-oriented readers in the right direction, here is a smattering of recommended showcases presented in a similar fashion to SXSW itself, meaning a blobish mess.
Announced Wednesday morning (1-25), North Carolina’s Sarah Shook and her band The Disarmers have officially signed to insurgent country label Bloodshot Records, and there will be a relaunch of Sarah Shook’s debut album Sidelong coming on April 28th. There will also be a new album coming in 2018, Sarah has promised.
Hide your faces, and duck and cover because Al Scorch is here to prove the banjo is like the battle ax of American traditional string instruments, and he’s coming out swinging. With his chest puffed out and the energy of ten men, this Chicago native and Bloodshot Records signee turns his banjo into a bullhorn.
Barrence Whitfield is not a name you’re going to see praised to the rafters or land on every end-of-year “best of” list, but his influence and the power of his music is unwavering, and Under The Savage Sky is as good of a place to start discovering his genius as any. The way he’s able to sing with a sincerity to his soul tones, and then rear back into a wild scream is the stuff a totally immersive musical experience is made of.
Every true music fan craves those moments when a song and story truly disarm you and make rudimentary rubble of your capacity to keep the saline fountains at bay. Fiction can sometimes achieve these results, but there’s something deep inside the listener that is sparked when they intuitively know they’re hearing a true story being told by the one who lived it.
The past 24 hours has seen some big signings by some worthy artists to record labels. The old-school throwback St. Louis singing and strumming song man Pokey LaFarge has signed to the prestigious Rounder Records. Reverend Peyton’s Big Damn Band has signed with Yazoo Records, and the Alabama-bred gritty and greasy Banditos have signed to insurgent country label Bloodshot.
Alison Krauss, Banditos, Bloodshot Records, Charley Patton, Del McCoury, Jack White, Justin Townes Earle, Lydia Loveless, Mississippi John Hurt, Neko Case, Pokey LaFarge, Re. Peyton, Reverend Peyton's Big Damn Band, Ricky Skaggs, Robert Plant, Rounder Records, Ryan Adams, Scott H. Biram, So Delicious, SXSW, Wayne 'The Train' Hancock, Willie Nelson, Yazoo Records
Fans of the hard driving, honky tonkin’ throwback country band of the new generation known as Whitey Morgan & the 78’s have been waiting a very long time to hear something new since the release of their self-titled Bloodshot Records debut in 2010, and the floodgates are about to open, beginning with the long-awaited release of “Born, Raised & LIVE from Flint.”
That’s right, don’t rub your eyes or adjust your monitors. Justin Townes Earle, who just released his latest album Single Mothers on September 9th, is doing a quick turnaround and releasing yet another brand new full length album Absent Fathers on January 13th, 2015—a companion to his September release that takes its theme from the Single Mothers title track.
Ryan Adams was one of the unquestionable leaders of this punk-infused country music conquest, and that is why it was so disconcerting to read recently that apparently he not only does not like country music, but he apparently never has, never really cared about it even when he was playing it, and certainly doesn’t want anything to do with it now.
This release might mean just a little bit more to Justin Townes Earle. The harder you work for things, the more value they tend to hold. After concluding a five-album contract with the scrappy and street-accredited independent label Bloodshot Records, Justin Townes Earle moved on to what he hoped would be greener pastures, and quickly got his nose pushed in.
All the silly talk about who was first and who ripped off who is mute when you bury your nose in the music catalog of the prototype of that predatory, aggressive, two-piece sound that blends blues, rockabilly, rock, country, surf, and a cavalcade of other obscure influences into the wild-eye concoction Dex Romweber has been throwing down for going on 30 years.