Once again it is a television series that is stepping up to deliver what mainstream country radio and other conventional music mediums often don’t, which is the music from independent artists that is resonating with the public despite commonly being overshadowed.
The Saving Country Music Top 25 Current Playlist is built to keep you informed on all the best songs and albums coming out right here, right now in country and roots music. It’s available on most all streaming formats. New songs have just been added.
With his aching, painful delivery of poetically elegant songs ripped straight out of his own biography and smeared with tears and the residues of addiction, Justin Townes Earle embodied everything you wanted from the tragic troubadour holding on just enough to perform for you.
Right now, Texas and Oklahoma is being robbed of its female talent from Nashville and the two coasts. And these women are regularly sucked up into a system that absconds with their creative freedom, sexualizes their image, and drops them unceremoniously whenever their commercial viability is perceived to be spent.
American Aquarium, Aubrie Sellers, Billy Joe Shaver, Brennen Leigh, Bri Bagwell, Courtney Patton, Hot Club of Cowtown, Jamie Lin Wilson, Jason Boland and the Stragglers, Kacey Musgraves, Lee Ann Womack, Maren Morris, Medicine Stone, Miranda Lambert, Randy Rogers Band, Ryan Engleman, Samantha Crain, Shane Smith and the Saints, Sister C, Stoney LaRue, Sunny Sweeney, The Quebe Sisters, Turnpike Troubadours
When it comes to picking the “best” songs from a given time period, it’s a much more subjective chore than selecting the best albums or the best artists. Our relationship with songs is just so much more intimate. The emotions songs can touch tend to range so much farther on the spectrum. To discover a song that really touches you, it’s not just dependent on the songwriter to write and perform a compelling tune.
Just 40 miles west of where Woody Guthrie was born in Okemah, Oklahoma is the town of Shawnee, where Ramseur Records-signed singer songwriter Samantha Crain was born and raised. And like Woody did many years before, she has decided to champion the causes of the common man through the music of her fourth LP.
The music epicenters of Muscle Shoals, AL and Lubbock, TX find their native son and daughter melding their respective talent offerings into a tempest of love and emotive expressions in this two-song, surprise release called Sea Songs. Maybe as a stop gap from both halves of this super couple as we all endure through the dark moments between proper LP releases, this 2-sided single satiates the belly…
As an offering for Record Store Day’s upcoming Black Friday releases, Johanna and Klara Söderberg have covered Simon & Garfunkel’s iconic tune “America,” written by Paul Simon. A master work of the American songbook, the song peerlessly encapsulates the forlorn beauty of youthful restlessness and underlying abject fear that are an indelible part of the American experience.
The first issue of “Country Music Magazine” did not disappoint, and made good on their promise to deliver high quality content to the scores of country music fans who want to read about past greats and future hopefuls while not completely ignoring the mainstream names worth a listen. Now they have released their second issue, and the 2nd verse is as sweet as the 1st.
Austin Lucas, Buck Owens, BUddy Emmons, Country Music Magazine, Dolly Parton, Jason Eady, Jerry Lee Lewis, Jimmy Webb, Johnny Cash, Lindi Ortega, Marty Sturat, Possessed by Paul James, Reverend Horton Heat, Ricky Skaggs, Rosanne Cash, Samantha Crain, Shovels & Rope, Slaid Cleaves, Spade Cooley, Sturgill Simpson, Turnpike Troubadours, UK
Samantha Crain emerges from Shawnee, OK with her 3rd full length offering and 5th release overall called Kid Face–a delightfully sparse project, but deliberative and in-depth in its forays into the mind’s inner dimensions and ulterior tendencies. Kid Face is despondent by nature, but prone to tangents of frolicking melodies that pull you into the project to later get lost in its complexities.
One hard and fast rule around Saving Country Music is that I don’t review EP’s except for in “extreme cases.” There’s just too much music out there these days to consider half efforts, and in many cases, this is what EP’s are. So what is an “extreme case?” Well in 5 or so years, not once have I had an EP cross my desk that I felt qualified. Until now.