Second generation country performer Justin Townes Earle passed away tragically on August 20th, 2020, but strong efforts are underway to make sure his legacy doesn’t go forgotten, especially after the ownership of the label that released his first five albums was sent in flux.
Country History X Episode #10 is a story of courage and character, and how a split second decision by country legend Marty Robbins on the racetrack forever changed the destiny of numerous people who would go on to help shape American culture.
The punk band NOFX decided that the deadliest massacre in modern U.S. history would make for good joke fodder this weekend, and used country fans and artists as the punch line when they took the stage at the Punk Rock Bowling & Music Festival in Las Vegas, Nevada. Vegas was also the site of the Route 91 Harvest Festival massacre.
If the unusual and offbeat of the country music realm is something you love to delve into—if the Roger Miller’s, the Shel Silverstein’s, and the John Hartford’s hold a special sway on your heart, and something just a little strange, unexpected, and funny is where you find enjoyable wrinkles in the forgotten shadows of country music’s otherwise explored reaches, then this album from Ween…
12 Golden Country Greats, Bradley's Barn, Buddy Harman, Buddy Spicher, Charlie McCoy, Hargus "Pig" Robbins, Jerry Garcia, John Hartford, Mike Ness, Muhammad Ali, Owen Bradley, Review, Roger Miller, Shel Silverstein, Social Distortion, The Jordanaires, The Shit Creek Boys, The Supersuckers, Ween
From the outside looking in, one may look at the lineup of The Muddy Roots Festival for example, and wonder how all these bands could all be booked right beside each other and it work seamlessly. This illustrates the dramatic sonic and geographical diversity that goes into creating what we know now as the underground country roots, or “Muddy Roots” world.
.357 String Band, Ben Prestage, Black Diamond Heavies, Bob Wayne, Bobby Bare, BR549, Calamity Cubes, Dale Watson, Deep Blues Festival, Emmylou Harris, Fat Possum Records, Greg Garing, Hank3, JB Beverley, Junior Kimbrough, Justin Townes Earle, Kris Kristofferson, Legendary Shack Shakers, Lone Wolf OMB, Loretta Lynn, Los Duggans, Mike Ness, Muddy Roots Festival, Pickathon, Rachel Brooke, Ramseur Records, Restavrant, Reverend Horton Heat, RL Burnside, Rusty Knuckles, Scott H. Biram, Slackeye Slim, Some Velvet Evening, Split Lip Rayfield, Steve Erale, Supersuckers, t Model Ford, Ten Foot Polecats, The Avett Bros, The Black Keys, The Devil Makes Three, The Everymen, The Goddamn Gallows, The Pine Box Boys, The Ryman, Those Poor bastards, Tompall Glaser, Trampled by Turtles, Waylon Jennings, Wayne Hancock, Whitey Morgan & The 78's, Willie Nelson, Yep Rock
Whether it is punk bands that simply interchange their electric instruments for acoustic ones, or bands that have a more traditional country sound, but overload it with “whiskey, devil, and drug” references, parody in the “punk gone country” movement has become a problem primarily by the way these artists can typecast other country punk bands, fans, and entities.
Man. The new music news/albums/videos/whatever for January just won’t let up, and none might be bigger than Wanda Jackson’s collaboration with Jack White The Party Ain’t Over. Wanda AND Jack will be on David Letterman TONIGHT (1-20), and you can now hear the album streaming in its entirety on NPR’s First Listen.
The growl is still there folks, and Jack White may have never been better!
We like to rag on people around here like Jennifer Love Hewitt and 80’s pop star “Tiffany” for “Going Country.” This has prompted a few to criticize me and others for thinking anyone that didn’t start in country cannot “go country” or dabble in the music, or that I have some predisposed problem with rock […]