The commonality of criticizing country radio within the ranks of country music’s classic and independent fans is pretty severe, and for good reason. Generally speaking, country radio is a blob of nationalized playlists and unimaginative music, and no curation by the DJs on the ground in local markets. But this doesn’t mean all radio is bad.
It’s a Texas invasion at the very top of the country music albums charts this week as an oldtimer, an independent maverick, and an upstart troublemaker all from the Lone Star State have pushed the powers that be in pop country down the ladder, and come in at #1, #2, and #3 respectively in album sales.
Everyone has a strong opinion about Koe, at least those that have heard about him, which few outside of Texas and Oklahoma have. He’s definitely not a country act. But as a principle headliner in the Texas music scene who sells out huge venues and is handling up on radio like a uninhibited coed, he can’t be avoided.
If you’re one who finds yourself enamored with the Texoma music scene, then you most certainly have an opinion on Koe Wetzel, one way or the other. And that opinion is also probably pretty fiery, no matter how it falls. And if you don’t have an opinion or don’t even know who he is yet, then you soon will, because he’s not going anywhere.
Koe Wetzel from Stephenville, TX has certainly been stirring up the chatter of both the positive and negative persuasion over the last few months after the release of the record Noise Complaint. A veritable young pup of the Texas music scene, he’s been vilified by some for immature lyrics, while being celebrated by the younger set.
In many sectors, the future of country music is rife with uncertainty as you’re forced to squint hard at the current tiers of top stars and up-and-comers and wonder where this all will lead us years down the road. But when it comes to the Texas country scene, there is no cause for concern for who’s gonna fill the shoes.