No country music outfit deserved a berth on the vaunted Austin City Limits stage more than the reigning Saving Country Music Artist of the Year The Turnpike Troubadours. This is a huge honor for a band that’s been making big waves in the Texas and Red Dirt music scene for nearly a decade.
Austin City Limits
The Turnpike Troubadours will finally get their own appearance on Austin City Limits. The revered, longest-running music television program taped live at Austin’s Moody Theater has chosen the Oklahoma-based band for the final episode of ACL’s 43rd Season.
Austin City Limits has just announced the lineup for their upcoming 43rd season, and sorry Austin musicians who the show was originally commissioned to chronicle and document, but you won’t get any attention from your local Public Television Station, , unless it’s a seminar about what to do about Austin’s evaporating music scene.
On October 23, 1988, Austin City Limits went Bakersfield for one legendary night when an upcoming hot shot California country throwback traditionalist with jellyspine hips named Dwight Yoakam took the stage, and so did the man that he saw as his primary influence, the legendary Buck Owens.
Not to criticize any other artist or bands no matter where they are from, but if the City of Austin wants to see more support for their local music, why is no support flowing to local artists through an event held in a local park, using local resources, receiving local tax breaks, and includes the name of the city right in its title?
Beyond sharing bills, big rocketing career trajectories, and both employing the services of super producer Dave Cobb, the two artists appear to have a greater kinship off the stage. But for whatever reason, we’ve never seen the two men on stage together, until now.
I know you probably receive dozens of these types of letters, and they all make strong cases for who the author wishes you select for the next season. But in the case of Ray Wylie Hubbard, I really think it would not only mean a tremendous amount to Ray, but it would mean a tremendous amount to Austin City Limits to finally and formally recognize one of Austin’s most important performers, and help preserve his place in Austin music.
Guy Clark is in an Austin area hospital after having a bad reaction to medication right before he was scheduled to appear at an Austin City Limits Hall of Fame induction ceremony on his behalf. On Thursday evening (6-18), Guy Clark, Townes Van Zandt, Asleep At The Wheel, and Flaco JimÃ©nez were all inducted into the long-running TV show’s sophomore class of Hall of Fame inductees.
As the longest running music show on TV enters its 40th season, Austin City Limits has announced its second installment of inductees into its Hall of Fame founded in 2014. The original crew of the Austin City Limits show will also be honored as the 2015’s non-performing inductee. As part of the Hall of Fame announcement, more performers for season 41 were also revealed.
ACL, Asleep at the Wheel, Austin City Limits, Bob Wills, Flaco Jimenez, Guy Clark, Lloyd Maines, Loretta Lynn, Ray Benson, Stevie Ray Vaughan, Sturgill Simpson, The Avett Brothers, The War On Drugs, Townes Van Zandt, Willie Nelson
Where the last time Sturgill made a stop in Austin he was sporting a conversion van stenching of the road, now there was a big primary blue tour bus idling across the street. the gallery was packed by the time Sturgill took the stage. Tight and well-tuned from playing down-to-the-minute sets on tour with Zac Brown, Sturgill and the boys chewed through their songs like clockwork, with Simpson showing fire…
Near the end of 2013, Saving Country Music rewarded Jason Isbell’s live streaming set on August 13th from the Austin City Limit’s stage as the #2 live event in all of 2013. Now Jason Isbell’s entire Austin City Limits set will be released to DVD on November 24th via Isbell’s Southeastern Records, and will include his entire 15-song performance.
According to multiple unnamed sources, Live Nation is currently negotiating a deal with C3 to purchase 51% of the company for around $125 million. It’s hard to see how Live Nation getting into the independent music business and a further drying up of competition could be good for independent music consumers.
Austin City Limits, the 40-year-old Texas music and public television institution, has announced the formation of a Hall of Fame in conjunction with their 40th Anniversary, with an inaugural induction ceremony to be held on April 26th at the shows original home, KLRU’s legendary Studio 6A on the University of Texas campus. Inaugural inductees to the Austin City Limits Hall of Fame include…
ACL, ACL Hall of Fame, Austin City Limits, Austin City Limits Hall of Fame, Bill Arhos, Buddy Guy, Chris Layton, Darrell Royal, Double Trouble, Doyle Bramhall II, Emmylou Harris, Inductees, Kenny Wayne Shepherd, Lukas Nelson, Lyle Lovett, Mike Farris, Reese Wynans, Robert Randolph, Stevie Ray Vaughan, Tommy Shannon, Willie Nelson
Austin City Limits has slated a scrappy young country music artist to appear during their latest season. Though you may have never heard of him, all that might change after he makes his Austin City Limits debut. His name is Eric Church, and despite only winning the Country Music Association and Academy of Country Music awards for Album of the Year once….
ACL, Austin City Limits, Cheap Trick, Dave Matthews Band, Eric Church, fake news, Improbable Rise of Redneck Rock, Jan Reed, Pearl Jam, Radiohead, Ray Wylie Hubbard, Stevie Ray Vaughan, Tim McGraw, Wayne Hancock, Willie Nelson
Singer, songwriter, Poet Laureate, and the author of the Texas Trilogy, Steven Fromholz passed away Sunday morning (1-19) according to the Texas Music Chart. Fromholz was a towering figure of words and music in his home state of Texas, and amongst his famous music friends. He wrote the song “I’d Have To Be Crazy” made popular by Willie Nelson…
Armadillo World Headquarters, Austin City Limits, dead, died, Frummox, gun, Jerry Jeff Walker, Lyle Lovett, Michael Martin Murphey, Mike Nesmith, passed away, Ray Wylie Hubbard, South by Southwest, Steve Fromholz, The Monkees, The Texas Trilogy, Willie Nelson
The greatest album, and the greatest recorded song will never be able to trump the truly live musical experience where music is shared in real time with both the artist and listeners. It is in this spirit that each year I assemble a list of the Best Live Performances to reinforce that as technology and the busying of life incrementally encroach upon us, we must remember that the live music show deserves its own attention and reverence.
.357 String Band, 2013, American Aquarium, Andrew Bird, Austin City Limits, Best Live Performances, Bob Wayne, Dirty River Boys, Eric Church, Gruene Hall, Hellbound Glory, James Hunnicutt, Jared McGovern, Jason Eady, Jason Isbell, Jayke Orvis, LeAnn Rimes, Lee Bains III & The Glory Fires, Lincoln Durham, Liz Sloan, Patsy Cline, Pickathon, Punch Brothers, Red 11, The Crooks, The Mavericks, The White Horse, Tift Merritt, Turnpike Troubadours, Valerie June, XSXSW
37 years ago, Austin City Limits was founded to be the visual accompaniment to a book called The Improbable Rise of Redneck Rock by Texas author Jan Reed. The book set out to chronicle the formation of the Austin, TX music scene that transpired in the late 60’s and into the 70’s, along with its many artists and side characters.
ACL, ACL Fest, Austin City Limits, Cheap Trick, Coldplay, Dale Watson, Dave Matthews Band, Gary P. Nunn, Hayes Carll, Jan Reed, Kacey Musgraves, Pearl Jam, Ray Wylie Hubbard, The Improbable Rise of Redneck Rock
Everywhere in the independent music world you’re seeing songwriters who have struggled for years finally starting to get singed to record labels and releasing career-caliber albums. Whereas other sectors of the music industry seem to be gripped by the fear that digitization and streaming may ultimately doom the business of music, talented songwriters are benefiting from the search for the next writer to break out.
Amanda Shires, Ashley Monroe, Austin City Limits, Austin Lucas, Caitlin Rose, Dale Watson, Drive By Truckers, Jason Isbell, Kacey Musgraves, Pokey LaFarge, Ray Wylie Hubbard, Rolling Stones, Shovels & Rope, Stevie Ray Vaughan, Sturgill Simpson, Valerie June
By all accounts, I should hate these dudes, and this album by proxy. t was announced that Babel was the best-selling debut so far in 2012, selling 600,000 copies and outpacing folks like Justin Bieber. Really? Has the “roots” revolution reached such a point that it is the most popular, mainstream thing going in music these days? How am I supposed to be okay with that, and where is this leading?
Today it was announced that a new statue of Willie Nelson will be erected in Austin, TX, commemorating the country music legend whose career now spans over 50 years. The statue will also officially be unveiled at 4:20 PM “as a nod to the country star’s reputation as a stoner.” Some may want to commemorate Willie Nelson’s “reputation as a stoner”, but I choose to remember him as so much more.
That’s right folks, THIS SUNDAY, 2-20-2011, none other than Wayne “The Train” Hancock will be on Saving Country Music’s live streaming channel, aka SCM LIVE, for a streaming video concert, with his full touring band at 6 PM Central! This is a special edition of Jashie P’s Outlaw Radio, and it will be coming LIVE from Chicago, IL.
Indie doesn’t really have its own traditions, its own infrastructure like country, blues, or even Texas music. And in this music climate of massive contraction, this is not the time to be creating new infrastructure that may not be sustainable moving forward. So the solution appears to be to incorporate existing infrastructure that was built years ago for roots and country artists, ostensibly squeezing the support for these types of artists out of the picture.
Sure, the attrition is slow and calculated.But over time, as you look at the yearly schedules for things like Austin City Limits, or ACL Fest, or Pickathon…
ACL Fest, Austin City Limits, Bonnaroo, Budweiser, Cheap Trick, Dave Matthews Band, Dr. Dogg, Fat Possum, Hayes Carll, Jan Reed, Junior Kimbrough, Matthew Johnson, Pearl Jam, Pickathon, RL Burnside, Robert Earl Keen, Saturday Night Live, The Black Keys, The Improbably Rise of Redneck Rock, Vegoose
I know some of you think that I’m a little crazy for touting Austin’s 15-year-old fiddling phemon Ruby Jane so highly. That is because you have never seen Ruby Jane live. If you had (or have), then you know that despite all of my ridiculous accolades, nothing I’ve written about her does any justice to how astonishing a Ruby Jane Show is. It is the best music I have ever seen live.
Country music is a funny thing. While on the outside it seems like a pretty “Hee-Yaw!” simple, straightforward artform, country music boasts some of the best maestros that American music has ever seen. Right now there may be half a hundred fiddle players with half their teeth missing, living in the bowls of a Prevost […]
Asleep at the Wheel, Austin City Limits, Hank Williams, John Hiatt, Johnny Cash, Kessler Theater, Marty Stuart, Ray Benson, Rhonda Vincent, Ruby Jane, South by Southwest, The Grand Ole Opry, Willie Nelson