Canadian country and Western artist Colter Wall was one of the fortunate ones to be selected to perform for the new season of the long-running and highly-revered PBS music show Austin City Limits for their 45th season. And if you want to catch the taping, you better be on your toes because it’s coming up this Friday.
‘Austin City Limits’ has brought in popular country acts in the past such as Garth Brooks and Eric Church who don’t need the exposure whatsoever, but still have ties to the American roots scene in some capacity. But Kane Brown is uniquely unqualified and undeserving of this slot, and unhelpful to the mission of ‘Austin City Limits.’
No country music outfit deserved a berth on the vaunted Austin City Limits stage more than the reigning Saving Country Music Artist of the Year The Turnpike Troubadours. This is a huge honor for a band that’s been making big waves in the Texas and Red Dirt music scene for nearly a decade.
The Turnpike Troubadours will finally get their own appearance on Austin City Limits. The revered, longest-running music television program taped live at Austin’s Moody Theater has chosen the Oklahoma-based band for the final episode of ACL’s 43rd Season.
Austin City Limits has just announced the lineup for their upcoming 43rd season, and sorry Austin musicians who the show was originally commissioned to chronicle and document, but you won’t get any attention from your local Public Television Station, , unless it’s a seminar about what to do about Austin’s evaporating music scene.
On October 23, 1988, Austin City Limits went Bakersfield for one legendary night when an upcoming hot shot California country throwback traditionalist with jellyspine hips named Dwight Yoakam took the stage, and so did the man that he saw as his primary influence, the legendary Buck Owens.
Not to criticize any other artist or bands no matter where they are from, but if the City of Austin wants to see more support for their local music, why is no support flowing to local artists through an event held in a local park, using local resources, receiving local tax breaks, and includes the name of the city right in its title?
Beyond sharing bills, big rocketing career trajectories, and both employing the services of super producer Dave Cobb, the two artists appear to have a greater kinship off the stage. But for whatever reason, we’ve never seen the two men on stage together, until now.
I know you probably receive dozens of these types of letters, and they all make strong cases for who the author wishes you select for the next season. But in the case of Ray Wylie Hubbard, I really think it would not only mean a tremendous amount to Ray, but it would mean a tremendous amount to Austin City Limits to finally and formally recognize one of Austin’s most important performers, and help preserve his place in Austin music.
Guy Clark is in an Austin area hospital after having a bad reaction to medication right before he was scheduled to appear at an Austin City Limits Hall of Fame induction ceremony on his behalf. On Thursday evening (6-18), Guy Clark, Townes Van Zandt, Asleep At The Wheel, and Flaco Jiménez were all inducted into the long-running TV show’s sophomore class of Hall of Fame inductees.
As the longest running music show on TV enters its 40th season, Austin City Limits has announced its second installment of inductees into its Hall of Fame founded in 2014. The original crew of the Austin City Limits show will also be honored as the 2015’s non-performing inductee. As part of the Hall of Fame announcement, more performers for season 41 were also revealed.
Where the last time Sturgill made a stop in Austin he was sporting a conversion van stenching of the road, now there was a big primary blue tour bus idling across the street. the gallery was packed by the time Sturgill took the stage. Tight and well-tuned from playing down-to-the-minute sets on tour with Zac Brown, Sturgill and the boys chewed through their songs like clockwork, with Simpson showing fire…
Near the end of 2013, Saving Country Music rewarded Jason Isbell’s live streaming set on August 13th from the Austin City Limit’s stage as the #2 live event in all of 2013. Now Jason Isbell’s entire Austin City Limits set will be released to DVD on November 24th via Isbell’s Southeastern Records, and will include his entire 15-song performance.
According to multiple unnamed sources, Live Nation is currently negotiating a deal with C3 to purchase 51% of the company for around $125 million. It’s hard to see how Live Nation getting into the independent music business and a further drying up of competition could be good for independent music consumers.
Austin City Limits, the 40-year-old Texas music and public television institution, has announced the formation of a Hall of Fame in conjunction with their 40th Anniversary, with an inaugural induction ceremony to be held on April 26th at the shows original home, KLRU’s legendary Studio 6A on the University of Texas campus. Inaugural inductees to the Austin City Limits Hall of Fame include…
Austin City Limits has slated a scrappy young country music artist to appear during their latest season. Though you may have never heard of him, all that might change after he makes his Austin City Limits debut. His name is Eric Church, and despite only winning the Country Music Association and Academy of Country Music awards for Album of the Year once….
Singer, songwriter, Poet Laureate, and the author of the Texas Trilogy, Steven Fromholz passed away Sunday morning (1-19) according to the Texas Music Chart. Fromholz was a towering figure of words and music in his home state of Texas, and amongst his famous music friends. He wrote the song “I’d Have To Be Crazy” made popular by Willie Nelson…
The greatest album, and the greatest recorded song will never be able to trump the truly live musical experience where music is shared in real time with both the artist and listeners. It is in this spirit that each year I assemble a list of the Best Live Performances to reinforce that as technology and the busying of life incrementally encroach upon us, we must remember that the live music show deserves its own attention and reverence.
37 years ago, Austin City Limits was founded to be the visual accompaniment to a book called The Improbable Rise of Redneck Rock by Texas author Jan Reed. The book set out to chronicle the formation of the Austin, TX music scene that transpired in the late 60’s and into the 70’s, along with its many artists and side characters.
Everywhere in the independent music world you’re seeing songwriters who have struggled for years finally starting to get singed to record labels and releasing career-caliber albums. Whereas other sectors of the music industry seem to be gripped by the fear that digitization and streaming may ultimately doom the business of music, talented songwriters are benefiting from the search for the next writer to break out.
By all accounts, I should hate these dudes, and this album by proxy. t was announced that Babel was the best-selling debut so far in 2012, selling 600,000 copies and outpacing folks like Justin Bieber. Really? Has the “roots” revolution reached such a point that it is the most popular, mainstream thing going in music these days? How am I supposed to be okay with that, and where is this leading?
Today it was announced that a new statue of Willie Nelson will be erected in Austin, TX, commemorating the country music legend whose career now spans over 50 years. The statue will also officially be unveiled at 4:20 PM “as a nod to the country star’s reputation as a stoner.” Some may want to commemorate Willie Nelson’s “reputation as a stoner”, but I choose to remember him as so much more.
That’s right folks, THIS SUNDAY, 2-20-2011, none other than Wayne “The Train” Hancock will be on Saving Country Music’s live streaming channel, aka SCM LIVE, for a streaming video concert, with his full touring band at 6 PM Central! This is a special edition of Jashie P’s Outlaw Radio, and it will be coming LIVE from Chicago, IL.
Indie doesn’t really have its own traditions, its own infrastructure like country, blues, or even Texas music. And in this music climate of massive contraction, this is not the time to be creating new infrastructure that may not be sustainable moving forward. So the solution appears to be to incorporate existing infrastructure that was built years ago for roots and country artists, ostensibly squeezing the support for these types of artists out of the picture.
Sure, the attrition is slow and calculated.But over time, as you look at the yearly schedules for things like Austin City Limits, or ACL Fest, or Pickathon…