Get your hemp necklaces and nag champa ready, because Miranda Lambert is about to embark on the “Livin’ Like Hippies” tour come January, and even if you’re fair to partly cloudy on Ran Ran herself, she’s assembled a pretty badass lineup of openers that represent a who’s who of cool independent acts that may coax you off your couch.
They’ve decided to divide opening duties among a total of 26 separate openers across the 65 total tour dates, as opposed to taking the usual stance with openers, which is to drag the same two or three lightweight mainstream up-and-comers around with them for six months. Even more surprising are the names selected to open.
Just what 2017 has in store for us in the country music department remains to be seen. But we do know about what to expect in the release department for at least the first quarter of the year, while rumors abound about the big projects that could come to light later in 2017. Here’s a run down of what we know, what we think we know, and what we would like to believe.
Aaron Watson, Ags Connolly, Alison Krauss, Casey James Prestwood, Charlie Worsham, Chris Knight, Chris Stapleton, Colter Wall, Curtis McMurtry, Dale Watson, Dan Auerbach, Dave Cobb, George Jones, Guy Clark, Holly Williams, Hurray For The Riff Raff, Jaime Wyatt, Jason Isbell, JB Beverley, Justin Townes Earle, Marty Stuart, MOderna Mal, Nikki Lane, Old Crow Medicine Show, Otis Gibbs, Phoebe Hunt, Ray Benson, Ray Scott, Ray Wylie Hubbard, Reverend Peyton's Big Damn Band, Rhiannon Giddens, Robbie Fulks, Scott H. Biram, Shinyribs, Son Volt, Steve Earle, Sunny Sweeney, The Gibson Brothers, The Sadies, The Secret Sisters, Tift Merritt, Valerie June, Whitney Rose
There’s been much ado about country artists of the fairer sex over the last couple of weeks. For Logan Brill, whose Carnival Records album Shuteye came out on June 2, that debate is all just noise. Sure, she’ll righteously stand up for women artists and songwriters. But for Brill, music is pursued for the passion of good quality songwriting and the artistry of storytelling—everything else comes secondary.
There’s nothing I value more than a mainstream country music record that bucks all trends and is truly worth your ear. Enter Charlie Worsham and his debut album Rubberband that is being lauded by many critics and fans alike as a breath of fresh air for the mainstream radio dial. Rubberband is a very fun album that sucks you right in, but Charlie Worsham is no Kellie Pickler….