Just what 2017 has in store for us in the country music department remains to be seen. But we do know about what to expect in the release department for at least the first quarter of the year, while rumors abound about the big projects that could come to light later in 2017. Here’s a run down of what we know, what we think we know, and what we would like to believe.
Reverend Peyton’s Big Damn Band
Who will be releasing new albums in 2015? What are some of the most-anticipated projects? What are the rumors swirling out there about new albums that may be coming down the pike? Here’s a rundown of upcoming projects from artists recommended by Saving Country Music that you can look forward to in 2015. Please feel free to leave your thoughts about what you’re excited about being released.
The past 24 hours has seen some big signings by some worthy artists to record labels. The old-school throwback St. Louis singing and strumming song man Pokey LaFarge has signed to the prestigious Rounder Records. Reverend Peyton’s Big Damn Band has signed with Yazoo Records, and the Alabama-bred gritty and greasy Banditos have signed to insurgent country label Bloodshot.
Alison Krauss, Banditos, Bloodshot Records, Charley Patton, Del McCoury, Jack White, Justin Townes Earle, Lydia Loveless, Mississippi John Hurt, Neko Case, Pokey LaFarge, Re. Peyton, Reverend Peyton's Big Damn Band, Ricky Skaggs, Robert Plant, Rounder Records, Ryan Adams, Scott H. Biram, So Delicious, SXSW, Wayne 'The Train' Hancock, Willie Nelson, Yazoo Records
The fried chicken-eating, truck-wrestling, twisted metal, wild-assed, guitar-plucking, gray-whiskered, screaming and shouting, foot stomping “Dirty ‘Ol One Man Band” known as Scott H. Biram is back with a brand new album called Nothin’ But Blood from Bloodshot Records, and it’s a shoot-a-belt-of-whiskey and run-buck-wild-in-the-woods kind of good time…
So here it is in 2014, and though Horton Heat has already established himself as the King of Psychobilly and a god of the rockabilly world, there’s the sense that the music needed a new start. But if you venture too far away from the established sound, you solicit sideways looks from your core audience, similar to how if you keep on serving up the same sounds, the routine could become stale.
Where 2011 felt like a high water mark year for live performances and an average year for recorded projects, 2012 feels vice versa. When I look back on 2011, it seemed like there were moments I experienced that I will never top the rest of my life. 2012 is the year that some albums and songs were released that may never be topped. Still there were a quite a few memorable performances worth noting.
.357 String Band, Anderson Family Bluegrass, Austin Lucas, Bob Wayne, Don Maddox, Glossary, Goddamn Gallows, Jayke Orvis, JB Beverley, Joe Buck, Lake Street Dive, LC Ulmer, Lucky Tubb, Muddy Roots, Pickathon, Rachel Brooke, Ralph Stanley, Restavrant, Reverend Peyton's Big Damn Band, Robert Belfour, Slim Cessna's Auto Club, Sturgill Simpson, Th' Legendary Shack Shakers, The Calamity Cubes, Thee Oh Sees, XSXSW
Here is the list of 25 albums Saving Country Music deems essential for 2012 listening, and then I added an extra one I couldn’t leave off. Please note this list only includes albums that have been reviewed so far. There are a few more good and important albums in 2012 that have yet to be reviewed. The first 7 albums on the list (from Little Victories to Lee Bains) were all serious considerations for SCM’s Album of the Year.
Billy Don BUrns, Carolina Chocolate Drops, Chris Knight, Davy Jay Sparrow, Don Williams, essential albums, Foghorn Stringband, Jackson Taylor, James Leg, Joe Buck, Joseph Huber, JP Harris & The Tough Choices, Justin Townes Earle, Lee Bains III & The Glory Fires, Left Lane Cruiser, Lone Wolf, Marty Stuart, McDougall, Paige Anderson, Rachel Brooke, Ray Wylie Hubbard, Restavrant, Reverend Peyton's Big Damn Band, Sara Watkins, The Alabama Shakes, The Calamity Cubes, Tom VandenAvond, Willie Nelson
I have been struggling to write this article for almost two years, but have been putting it off because there’s some hard things to say, and I didn’t want to “talk down” a movement that was already trying to deal with pretty alarming trends. But I think that especially now, zooming out and trying to be honest and critical in a constructive way is important, because there is positively no doubt that underground country is dying.
.357 String Band, Bob Wayne, Dale Watson, Hank3, Hellbound Glory, Larry & His Flask, Leroy Virgil, Muddy Roots, Pickathon, Rachel Brooke, Reinstate Hank, Reverend Horton Heat, Reverend Peyton's Big Damn Band, Shooter Jennings, Sturgill Simpson, Th' Legendary Shack Shakers, The Goddamn Gallows, Those Poor bastards, Underground country, unknown hinson
one of the great attributes of Between The Ditches is how it guides you into understanding Reverend Peyton’s approach, how he sometimes uses repeating lyrical lines to engage you in a rhythmic cycle meant to ensnare you in the music. This is not music to listen to, it is music to feel. In the spirit of Delta blues, it grooves, and cycles and repetition are important both to its effectiveness, and to the roots of the music.
One of the standouts in 2011 so far has been Bloomington, Indiana-based singer/songwriter Austin Lucas, and his album A New Home in the Old World. He sat down with me for about a hour to discuss his experience on the Country Throwdown and touring with Willie Nelson, how he got into country, and how his goals are measured and focused on the art of songwriting first, above his own popularity.