We’ve run down the Album of the Year Nominees for 2020, as well as the Song of the Year nominees, and an Essential Albums list is also coming together. But since the mainstream of country isn’t always well-represented on these lists, let’s look back on some of those best albums.
Lo and behold, Brett Eldredge delivers a record in Sunday Drive worthy of all the promises in the run up. It’s is more adult. It does feel fairly Americana. He doesn’t fall back on drum loops or snap tracks, and many of the songs are really well-written. In short, Sunday Drive feels decidedly non mainstream.
Meghan Trainor will be the latest pop star to jump on the single of a country artist according to reports. Metadata feeding through the music pipeline is pointing to country artist Brett Eldredge releasing the song “Haven’t Met You” from his 2017 self-titled record as his next single, with Meghan Trainor guesting on a new remix.
The effrontery of whomever is really responsible for compiling these five songs together and presenting it as an expression of Randy’s tastes or desires is appalling. This is ridiculous, and everyone involved in the perpetration of this ruse must think we are all incredibly gullible, and should be called out publicly.
The feature film American Saturday Night: Live From The Grand Ole Opry has just announced that after a limited run of shows at select theaters in December, it is expanding to various Carmike Cinemas and North American theaters across the United States on February 12th. However the film’s top three stars are Opry members who regularly don’t pay their proper dues.
American Saturday Night: Live From The Grand Ole Opry, Blake Shelton, Brad Paisley, Brett Eldredge, Carrie Underwood, Chris Janson, Darius Rucker, EmiSunshine, Holly Williams, Jean Sheppard, Jim Ed Brown, Little Big Town, Love & Theft, Mo Pitney, The Band Perry, The Grand Ole Opry
As an addendum to Saving Country Music’s Worst Songs list, 2015 necessitates we also single out some of the worst albums released in 2015. Take note that in most years, such a list is not necessary. Not that there aren’t bad albums, but even when you’re speaking about country music’s worst offenders, many actually release fairly decent songs on their albums. But 2015 was a different case.
And so continued on the unrelenting march of terrible songs in 2015. This year included some especially diabolical turns that puts the last 12 months in contention for the worst run for songs in country music history. Of course the usual suspects appear on the rap sheet like Luke Bryan, Thomas Rhett, and Sam Hunt. But 2015 ushered in the worst year for watching previously heralded artists turning their coats from blue to red.
Alabama, Bret Michaels, Brett Eldredge, Cole Swindell, Danielle Bradbery, Eli Young Band, Eric Paslay, Gary Allan, Granger Smith, Jennifer Nettles, Kelsea Ballerini, Luke Bryan, Randy Houser, Sam Hunt, Scotty McCreery, The Band Perry, Thomas Rhett, Ucle Ezra Ray, Zac Brown Band
It’s all R&B. Like, all of it. If it’s American and mainstream, chances are it’s better categorized as R&B than anything else. It doesn’t matter what genre of music you’re talking about. Of course R&B sounds like R&B, but so does hip-hop these days. Modern rock? Yeah, it’s pretty much just R&B. Country music? That may be the most convincing case.
Adele, Alabama Shakes, Brett Eldredge, Bruno Mars, Carrie Underwood, Chris Stapleton, Coldplay, Country Music Gold, Eli Young Band, Gary Allan, Jason Aldean, Justin Timberlake, Leon Bridges, Luke Bryan, mono-genre, Old Dominion, Prophets and Outlaws, Sam Hunt, The Weeknd, Thomas Rhett
The hubris, the insult of calling Tangled Up “country,” the effrontery to the institution and the brazenness of the act are unparalleled, and start country music down a brambled path towards a terrible demise where it can’t define its own borders or distinguish itself from the rest of American music. For the first time, we ask the question, “Will The Circle Be Unbroken?” and cannot give ourselves a reassuring answer.
We have entered a new era in country music where the ambitions and influences an artist shows up to Nashville with are patently irrelevant, and all that matters now is finding a seat at a shrinking table and making whatever concessions one must to secure your spot. It’s a cutthroat version of musical chairs, with the participants most willing to sell out the hardest having a distinct advantage.
Beck’s 1999 “Midnite Vultures” is the Perfect Foil to Today’s R&B/EDM Country Craze (Vintage Review)
What on God’s wide creation would persuade the proprietor of a country music website to take the time and effort to compose a dissertation on some album by a pasty-skinned genre bender released over 15 years ago that has little to nothing to do with country music and doesn’t even comprise one of the more popular titles from his catalog?
As the first single from his currently-unnamed sophomore album, Eldredge dons an expensive suit and does his best Justin Timberlake impression as he sips on a Scotch and lets the impossibly-hot Rachel Hilbert playing nurse feel him up. Because what could be more country than that? Oh, and there’s a song mixed in there somewhere too called “Lose My Mind.” It’s about a hot girl that’s so hot it makes him crazy.
The increasingly irrelevant Academy of Country Music Awards, or ACM’s, released their annual earache of ignoble pseudo-country performers known as the semi-final “New Artist” nominees this Monday, that spellbind any beholder with an even elementary understanding of the definitions of “New” and “Artist” as to how such names were populated.
Independent music fans love to say “90% of what they play on the radio is crap!” Well then it would stand to reason that 10% actually has some value. And in the interest of pragmatism and inclusiveness that is vital to the charge of Saving Country Music, it is important to not ignore when Music Row and mainstream artists get it right, but to celebrate these moments.
Brett Eldredge, Bridges, Caitlyn Smith, Carrie Underwood, Dave Grohl, Dierks Bentley, Dirt, Eric Paslay, Everything To You, Florida Georgia Line, Garth Brooks, Jon Pardi, Kellie Pickler, Maddie & Tae, Man Against Machine, Mary Sarah, Riser, Something In The Water, The Grohl Sessions Vol. 1, The Mavericks, Tim McGraw, Zac Brown Band
According to the Sun Chronicle, 18-year-old concertgoer 18-year-old Sean Murphy raped a 17-year-old girl during the concert, while 15 or more concert attendees stood around and watched, many taking pictures and video of the incident. It ended when a woman attending the concert asked the girl if what was happening was consensual, and she said, “No,”
A total of 55 arrests and 46 medical incidents, including 22 people transported to hospitals, marred a Keith Urban concert event in Mansfield, Massachusetts Saturday (7-26) night at the Xfinity Center as part of his “Raise ‘Em Up” tour. Jerrod Niemann and Brett Eldredge also performed at the concert. The incidents resulted in the Mansfield Fire Department having to declare a “Mass Casualty” event.
Today the Academy of Country Music announced the finalists for their “New Artist of the Year” award to be given out an the ACM Awards on April 6th. By the results of fan voting, the eight-name list of nominees was narrowed down to three performers: Brett Eldredge, Kip Moore, and Justin Moore. The announcement comes as questions continue to loom around the eligibility of Justin Moore’s nomination.
Forget that Justin Moore signed to Big Machine’s Valory Music imprint in 2008, that he had a #1 single in 2009, and a #1 album in 2011; as first pointed out by Windmills Country, according to the Academy of Country Music’s specifically-stated rules of eligibility for the “New Artist” category, Justin Moore should be disqualified because he’s had not one, but two albums certified gold.