Country music still needs saving ladies and gentlemen, and is still searching for the absolute statistical rock bottom when it comes to quality and substance in songs. Defining the “worst” has officially reached new parameters. So let’s cover our ears, pinch our noses, and set these stinking piles of refuse up to ceremoniously knock them down.
Spectacularly relevant to 2014, “Hotdamalama” from Parmalee is the Bro-Country mega hit that never was, served with ragingly misogynistic language and imagery that would get you fired from 95% of 2018 workplaces with no severance and a sexual harassment lawsuit trailing your decommissioned ass out the door.
We complain all the time about how today’s popular country music pretty much all sounds the same, but is this really true from a technical standpoint? That is what one enterprising Audiophile and songwriter set out to illustrate by making a mashup of some of Bro-Country’s biggest singles over the last couple of years in a pretty mind-blowing and revealing video.
As for the music, the Red Fest lineup was built on good intentions. Big names like Florida Georgia Line, Tim McGraw, Kellie Pickler, and Lynyrd Skynyrd were billed alongside lesser-known bands from the local and national landscape like Hellbound Glory, The Whiskey Sisters, and Bri Bagwell. Instead of segregating independent and mainstream music, integrating it.
Bri Bagwell, Colt Ford, Earl Dibbles Jr., Florida Georgia Line, Granger Smith, Hellbound Glory, Imagine Dragons, Jeff Foxworthy, Kellie Pickler, Lynyrd Skynyrd, Parmalee, Red Fest, Review, Sundy Best, The Derailers, The Whiskey Sisters, Tim McGraw
Forget that Justin Moore signed to Big Machine’s Valory Music imprint in 2008, that he had a #1 single in 2009, and a #1 album in 2011; as first pointed out by Windmills Country, according to the Academy of Country Music’s specifically-stated rules of eligibility for the “New Artist” category, Justin Moore should be disqualified because he’s had not one, but two albums certified gold.