Imagine having backed Hank Williams on his legendary Grand Ole Opry debut in 1949, or playing behind any of the other country music legends who performed on that hallowed stage during the Opry’s golden era. This was the fortune of steel guitarist Billy Robinson.
Everyone recognizes what Sierra Ferrel has, and wants to be a part of it. It’s like Janis Joplin in the 60’s. A lioness. Sierra isn’t just a singer and songwriter. She’s a force of nature who melds gypsy jazz and mountain music into an alluring and intoxicating concoction.
To be unleashed on October 8th, JD Wilkes says the record will include the same spirit of the first installment, but perhaps not as much wild variety as the original, which included punk, blues, and a bunch of other influences. But with this one, JD says it’s gonna be country.
Many folks have been feverishly awaiting news on when the debut album from gypsy jazz Appalachian folk phenom Sierra Ferrell would finally emerge after signing to Rounder Records in 2019. Well now we’ve been made aware the album is coming, and it’s appropriately titled “Long Time Coming.”
This new album by Melissa Carper entitled Daddy’s Country Gold is not just the blossoming of a songwriter, singer, and entertainer, it’s one of those few and fleeting moments where everything comes together to present music in its perfect, most ideal form.
Completely stupid, and perfectly irreverent for the Holiday season, it’s not being hyperbolic to say say this could be one of those compositions that catches fire somehow and accidentally becomes a Christmas classic. All we needed was a proper studio version of it, which we now have.
We’ve been warning your ever since the West Virginia gypsy jazz ragtime roots country songbird Sierra Ferrell signed to Rounder Records last August that she was one to have on your short list for the next breakout artist from the independent country and roots realm.
Classic country fans and throwback rockabilly cats descended in throngs upon Nashville’s Opryland Resort and The Nashville Palace on Memorial Day weekend to participate in the annual Nashville Boogie presented by Muddy Roots. Dubbed a celebration of mid-century American culture, the event included five stages over four days.
"Cousin" Kenny Vaughan, Celine Lee, Chris Scruggs, Dallas Moore, Deke Dickerson, John Shannon, Muddy Roots, Narvel Felts, Nashville Boogie, Tammi Savoy, The Nashville Palace, The Rimshots, Tommy Ash, Zephania Ohora
Whitney Rose’s “Rule 62″ (which by the way is “Don’t Take Yourself Too Damn Seriously”), is fun and fashionable in that throwback sort of way that’s the rage of independent roots circles at the moment, while also being bolstered by quality songwriting framed within a vintage era that still appeals to the modern perspective.
“Rule #62” which states, “Don’t Take Yourself Too Damn Seriously,” is something the Canadian-born and Austin-dwelling honky tonk throwback singer Whitney Rose steadfastly adheres to, and it’s also the theme behind her upcoming new album of the same name.
Just this week Saving Country Music inquired if there would ever be any new episodes of The Marty Stuart Show—the long-running RFD-TV staple that saw Marty share the stage with his backup band The Fabulous Superlatives, as well as a host of special guests, including many great country music oldtimers.
Don’t expect this to be just another Marty Stuart release simply because it’s been two years or so since his last record. This could be his most expansive work since his concept record The Pilgrim. To record Way Out West, Marty Stuart employed Mike Campbell of Tom Petty and the Heartbreakers fame for the 15 tracks that include many originals…
A big issue with the Grand Ole Opry in recent years has been trying to get standing members to meet their performance obligations. Though the Opry loves to add high-profile names from country’s current radio stars, these performers tend to sign on to receive the distinction of being Opry members, but don’t actually want to play the appointed number of slots for membership.
"Cousin" Kenny Vaughan, Brandy Clark, Carrie Underwood, Chris Janson, Chris Scruggs, Chris Stapleton, Daryle Singletary, Elizabeth Cook, EmiSunshine, Gene Watson, Grand Ole Opry, Holly Williams, Jamey Johnson, Jim Lauderdale, Kacey Musgraves, Kellie Pickler, Mark Chesnutt, Miranda Lambert, Mo Pitney, Radney Foster, Rhonda Vincent, Rodney Crowell, Rosanne Cash, Sam Bush, William Michael Morgan
The release has been delayed and the early reviews have been lackluster, but that won’t stop the creators of the Hank Williams biopic I Saw The Light starring Tom Hiddleston from releasing a soundtrack album for the upcoming movie. Set to arrive on March 25th—the same date the long-anticipated film will finally arrive in theaters—I Saw The Light…
You can’t look anywhere in the Austin independent country scene without seeing Brennen Leigh’s name. If she’s not fronting her own band, she’s playing in any number of other projects as a side musician. Or she’s in the studio singing harmonies or recording guitar tracks, or contributing a song to someone else’s project like she recently did to Lee Ann Womack’s “The Way I’m Livin'” album.
Antique Persuasion, Beth Chrisman, Brennen Leigh, Brennen Leigh Sings Lefty Frizzell, Chris Scruggs, Cris Burns, Lee Ann Womack, Noel McKay, Sunny Sweeny, T Jerrod Bonta, Teri Joyce, The Carper Family
This Saturday, April 20th is the 2013 installment of Record Store Day. 2013 has some juicy releases, including some super rare Willie Nelson demo sessions, a split with Waylon Jennings and the Old 97’s, some cool live albums from Gram Parsons and Sarah Jarosz, and a re-issue of Justin Townes Earle’s first album, the Yuma EP.
2013, Aljeandro Escovedo, Avett Brothers, Blitzen Trapper, Calexico, Charlie Poole, Chet Atkins, Chris Scruggs, Dale Watson, Elizabeth Cook, Gram Parsons, Jason Isbell, JD McPherson, Justin Townes Earle, Kacey Chambers, Mike Cooley, Mumford & Sons, Old 97's, Patty Griffin, Randy Travis, Record Store Day, Richard Thompson, Sarah Jarosz, Shane Nicholson, The Band, Tift Merritt, Waylon Jennings, Willie Nelson, Yoner Mountain String Band
Lower Broadway in Nashville has a new songstress haunting the streets, and she’s a good one. If you want to know how to put out one badass independent/underground country album in Nashville, you could use One Good Thing as a template. With impeccable country taste and instincts, Sarah assembles 12 original and authentic honky-tonk hard country songs for your listening enjoyment.
For those that have never been to SXSW, the whole thing is broken down into showcases. A showcase can be put on by a record label, a booking agency, a publicity agency, a radio station, a blog, it doesn’t matter. And where doesn’t matter either. Wherever there is space in or near downtown Austin, there’s a band playing. Find yourself a space and make it happen!
Billy Joe Shaver, BR549, Brigitte London, Chris Scruggs, Dale Watson, Hank III, Hellbound Glory, Possessed by Paul James, Rosie Flores, Ruby Jane, SXSW, The Boomswagglers, Tom VandenAvond, Whitey Morgan & The 78's
Nashville was lucky. During the early 20th Century, many cities could have ended up with the “Music City” moniker. Tulsa had a bustling music scene, with Bob Wills playing weekly at Cain’s ballroom. Bakersfield, CA had the best recording studios west of the Mississippi and was a magnet for the Southern talent that had migrated […]
During and after South by Southwest this last week, people kept asking me what my favorite show was. It’s probably a toss up between Slim Cessna’s Auto Club, and Th’ Legendary Shack Shakers. (Reviews coming, and also of the pre-SXSW Hank III show). But one of the cool things about SXSW is the random collaborations […]
Andy Gibson, Bloddshot Records, Chris Scruggs, Hank III, Kayton Roberts, Pedal-less Steel Guitar, Rosie Flores, Slim Cessna's Auto Club, South by Southwest, Stand up Steel Guitar, Steel Guitar, SXSW, Th' Legendary Shack Shakers
I really didn’t know what to expect from The .357 String Band’s new album Lightning from the North. I mean, were they going to introduce some new sound? Of course not, they ARE the new sound. Were they going to throw down the best album I’d heard in years? They already did that with their […]
.357 String Band, Andy Gibson, Billy Cook, Bob Wayne, Chris Scruggs, Derek Dunn, Fire & Hail, Hank III, Joe Huber, Lee Fikes, Lightning From the North, Milwaukee Here I Come, New Album, Review, Rick Ness
Country music is an interesting thing. More so than in any other genre of music, you can look back at it’s history and almost see a grand design; an underlying purpose to all of it’s ebbs and flows. Country music has created folk heroes and arch villains within it’s ranks of performers and business handlers. […]