For years I’ve been thinking that a cool way to present the legends of country music would be to illustrate the genre’s top artists through a deck of cards. Where to place what artist, what suit would be suited best for certain performers all seems like it would create great discussion points.
Hunting for the gravestones of country legends can be one of the most fulfilling enterprises for dedicated country music fans. It’s a way to get filled with the country music Holy Ghost, and gives you an opportunity to pay your respects to some of the titans of the genre.
Many of the venues that once established Austin, Texas as the Live Music Capital of the World have been shuttered in recent years as the city deals with rapid growth and soaring real estate prices. But if the city and others have their way, the historic dancehall The Broken Spoke will not be one of those casualties.
The Pill. THE PILL! Even before the unfortunate passing of the great Loretta Lynn on October 4th, there was nothing that exposed one more as a political apparatchik larping as a journalist within the country music space than shoehorning a reference to Loretta Lynn’s “The Pill” into your misguided think piece.
Jody Miller passed away on October 6th in Blanchard, Oklahoma due to complications from Parkinson’s Disease. She was 80 years old. First signed to Capitol Records as a folk artist in 1962, Jody Miller’s contributions spanned multiple genres, including pop, folk, country, and eventually Gospel.
Maybe you’re not intimately familiar with the name, but you’re most definitely familiar with the licks he played, and the songs that he helped turn into country hits and standards over decades. One of the most prolific and respected session guitarists in country music history, Ray Edenton, has died.
Dolly Parton will be one of the next inductees into the Rock and Roll Hall of Fame. The next question is how the Rock and Roll Hall of Fame will consider country performers for induction moving forward. This moment presents a slippery slope.
When you write a song at the age of 13 that becomes a country standard and a hit in three separate decades, you know you were born to make country music. Warner Mack was born Warner McPherson on April 2, 1935 in Nashville, Tennessee, and was a natural.
The Broken Spoke honky tonk is just about the most authentic thing you can still find within the city limits of Austin, TX. And now it’s long-time owner, mascot, patron saint, and a man that has been a major booster for music in the region and the stepping stone for many major careers has passed on.
Country music legend and long-time Grand Ole Opry star Jan Howard has passed away at the age of 91. Howard died on Saturday, March 28th peacefully in her sleep in Gallatin, Tennessee near Nashville. A Grand Ole Opry member for nearly 50 years, news broke of her passing as the storied country music institution was broadcasting.
Even though names like Jimmie Rodgers, Roy Acuff, and The Carter Family loom large for many of country music’s devoted fans, they don’t necessarily rise to the level of household names like Ernest Tubb, and of course the great Hank Williams, who was the centerpiece of the third installment of the Ken Burns ‘Country Music’ documentary.
In the process of criticizing modern country music, sometimes we lose sight of the bigger picture, or fall into “old man’s syndrome” where the past of the genre seems pristine and idyllic in our mind’s eye, and today’s smutty music perpetrated by sellout stars is an abomination to our beloved genre.
Eddie Pleasant is known as possibly the very first individual to ever sell a concert T-shirt. Eddie Pleasant took white T-shirts with an 8X10 picture of Hank Jr. on the front, and turned it into one of the most lucrative industries in music at the time.
If you’re into country music and the history of it, you’re probably used to hearing about the “King” of this, or the “Father” of that. Since the history of country music is so important to keeping the lineage of the music alive, country pays special homage to the people who helped form or popularize the genre.
Henley’s been out there outwardly criticizing the state of country music and the state of music in general, though doing so with a lot more of a thoughtful and informed tone than many others, including tracing the problem back to the disappearance of the agrarian way of life that was once prevalent throughout America, and now finds itself quickly receding.
The last week of May in 2015 will be one to remember in the history of country music after the comments made by industry radio consultant Keith Hill to Country Aircheck on Tuesday (5-26) stirred quite the controversy. Mr. Hill insisted that if country radio stations wanted to increase their ratings, they needed to yank female performers from the airwaves…
If you’re looking for the country music female revolution’s representative for true neotraditional country, Kelsey Waldon might just be your perfect match. If this album was released in the 70’s, it would have birthed a slew of indelible country standards. Such inconsolable heartbreak, such sorrow-drenched insight is captured on these tracks and then embellished with tasteful production…
This is a guest post from Austin-based singer-songwriter Slaid Cleaves. Slaid recently was featured on Saving Country Music after making some critical comments about modern country music in an interview with the Chicago Sun-Times, and he wanted an opportunity to elaborate on his statements. Slaid’s latest album, the critically-acclaimed “Still Fighting The War” was released in June.
The general consensus amongst country music pundits in 2013 is that we are in the midst of the ‘Year Of The Woman.’ But this isn’t the first year in country when the women deserved the lion’s share of attention. Rose Maddox of The Maddox Brothers & Rose, Goldie Hill, and the woman who would later rise to be known as the Queen of Country Music, Kitty Wells became pioneers for women in country.
Think what you want about former American Idol contestant Kellie Picker’s latest album 100 Proof and its striking traditionalist approach, but what may be even more interesting and inspiring than the album itself is the story behind it. After recently parting with her label, Kellie’s narrative is becoming similar to the one of Waylon Jennings, the country music Outlaw that Kellie cites as a primary influence.
From Columbus, OH, the lovely and talented 21-year-old Lydia Loveless offers up her first album with international aspirations in Indestructable Machine, through the Bloodshot Records imprint. Rest assured, I like this album more than I don’t. But as legendary football coach Bill Parcells once said after one decent game by a young, promising quarterback, “Put the anointing oil away.”
This weekend many devoted hellibillies will be showing their support for the Reinstate Hank movement at the CMA Fan Fair, including Cathy and Wayne who’ve been great supporters for Free Hank III also. Since I live some 1,500 miles away I can’t attend, but I wanted to show my support. I could let down my […]