Album Review – Weldon Henson’s “Texas Made Honky Tonk”

There’s a reason that the name “Luckenbach, TX” evokes strong visions and a sense of longing in many true country music fans, even for those who’ve never been there. There is a reason that the Texas Hill Country gives rise to some of the greatest country music the world over, almost like it’s part of the natural flora, rising out of the dirt after a strong rain. There’s a reason that “King” George Strait recently chose an image of the Broken Spoke in Austin, TX to be the cover of his record Honky Tonk Time Machine. And there’s a reason that the entire region seems to tingle and reverberate with country music liveliness and lore. And that reason is artists like Weldon Henson.
Regularly playing shows at places like The Broken Spoke, Luckenbach, and The White Horse, Weldon Henson is Texas country honky tonk served straight no chaser, meant to send two-steppers twirling and to pull the slow dancers closer. There is no envy for other genres here, or even other regional influences in country music. Weldon Henson and the Honky Tonk Frontier Band are Texas country front to back, with plenty of steel guitar and fiddle to get your country music juices flowing, while not being afraid to tell a story.
Originally from Humble, TX near Houston where he started singing, playing piano, and sawing on the fiddle at an early age, Weldon Henson joined the Air Force for a few years, and it was during his time in the service where his passion for country music clicked while learning to play guitar. He perfected the instrument by playing the songs of Hank Williams and Johnny Cash, and found a deep connection to the music. After finishing his service he moved to Austin, TX and never looked back.
Texas Made Honky Tonk is Weldon Henson’s fifth record in the last 10 years, and over this time he’s yet to deviate from the strong influence of Texas honky tonk that infers his well-written original songs. Where perhaps some artists get bored with the pure country approach, or pursue rock & roll dreams by chasing trends, Weldon Henson keeps his eyes straightforward. Sure, he probably wouldn’t pass up an opportunity to become widely popular beyond Texas, but he damn sure isn’t going to change his sound, style, or approach to do it. If you want to know what the pure, uncut sound of Texas honky tonk is, listen to Weldon Henson and Texas Made Honky Tonk.
The phase Telecaster and prevalent steel guitar of the opening song “Love’s Little Lies” sucks you right in, and immediately you feel at home in the warm, twangy sounds of this record. To be honest, the first portion drags a little bit with a lot of slow and mid tempo songs, even though you can appreciate the songwriting of tracks like “The Heartache’s On Me” and “No Turning Back.” This is sometimes a problem with straight-down-the-middle country when it becomes almost too severe one song after another.
But when you get to “Sleep All Day,” you hear flashes of Dwight Yoakam, and your blood gets pumping once again. Henson keeps it going with “Are You Thinking Of Me Too.” Both the the hoedown intro and the lyrical acrobatics of “Next Time I’ll Be Prepared” make it one of the best tracks on the record.
If you ever head down to central Texas and want to take in the local flavor of Texas country, don’t chance your luck to ambling down 6th Street in Austin and hoping to stumble onto something real. Take a look at the live schedule for Dale Watson if he’s in town, Mike and the Moonpies perhaps, or Weldon Henson, who embodies all that’s right and real about honky tonk from the Lone Star State.
1 3/4 Guns Up (8/10)
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February 12, 2019 @ 9:06 am
You hit the nail on the head with “embodies all that’s right and real about honky tonk from the Lone Star State.”
February 12, 2019 @ 9:14 am
I like him, but, I think he’s too country to ever be really popular- I went to you tube to to listen to some more of him and there are better songs I think than the one here-
Not to take away from him but I ran across this on you tube
https://www.youtube.com/watch?v=BWIbIosTcI8
February 12, 2019 @ 9:40 am
“I think he’s too country to ever be really popular”
You say that like it’s a bad thing.
🙂
February 12, 2019 @ 10:17 am
No such thing as “too country”.
February 12, 2019 @ 10:26 am
“Too country? What’s that? … too country, I just don’t understand.”
February 12, 2019 @ 11:16 am
It’s like too much money. There’s no such thing. It’s like a girl too pretty with too much class. Being too lucky. A car too fast.
February 12, 2019 @ 11:19 am
While that’s a “fun” song, too (pun intended), it’s not the song I was referencing.
February 12, 2019 @ 12:46 pm
Well done then. I didn’t get the Brad Paisley reference.
February 12, 2019 @ 9:18 am
Great stuff!
February 12, 2019 @ 10:19 am
Go see this guy live if you get the chance, great music, great band and a great guy. Definitely one of the greats around Austin.
February 12, 2019 @ 10:59 am
I like this – reminds me of going dancing on Saturday nights. Some great local talent in San Antonio. By the way, KJ is playing George’s new song quite often.
February 12, 2019 @ 12:36 pm
Sounds good, brother!
February 12, 2019 @ 2:11 pm
Great review for a fantastic album. I definitely get some Mark Chesnutt vibes from his vocals at certain points.
February 12, 2019 @ 2:23 pm
I’ve got tickets to see him open for Dale Watson this Friday night in Luckenbach, very much looking forward to it. I’ll be tent camping there that night and hanging out for Summer Dean and Gary P. Nunn on Saturday. Gary announced his retirement from the road not long ago, I believe he’s done sometime next year.
February 12, 2019 @ 2:59 pm
Great find. I’m enjoying the album. Some of the tracks remind me of Dale Watson; for example, “Texas Made” recalls Dale’s “Texas Armadillo.” That’s a good thing, of course, so I’m glad to see him opening for him.
I really need to move to Texas.
February 12, 2019 @ 4:45 pm
Thanks for the nice review, check out his cover of Gary Stewart’s `Empty Glass`. Weldon’s previous album’s are also worth checking out.
The great pedal steeler Ricky Davis who has been with Weldon for a long time was previously Dale Watson’s steel player and played on many of his earlier album’s and toured. He’s one of the best.
February 12, 2019 @ 7:11 pm
Weldon typically plays the first Sunday of every month at Ginny’s Little Longhorn for their Chicken Shit Bingo 4-8. Love him!!
February 13, 2019 @ 7:27 am
Sounds great. Can’t wait to give him a listen on Spotify. Thanks for the heads up Trigg
February 13, 2019 @ 12:17 pm
This is fantastic. I haven’t heard anything new in a long time that I took to instantly and was put in sudden and constant rotation. This is it though. Country, straight up with twang. ‘Bout dern time! The fact that he covers “Empty Glass”, my favorite Gary Stewart song, is just icing on the cake.
February 14, 2019 @ 1:20 pm
Nice Ford, nice Telecaster, nice Country Music.
Shoot, there was even a steel guitar in that song!
This album’s going straight in my rotation, stat.
February 17, 2019 @ 5:07 pm
I’ve Got to Be a Rodeo Man was, I thought, the best song on the album. Then I heard an Empty Glass. Both of these songs have me thinking that he has some 1980s George Strait influence.
February 18, 2019 @ 11:05 am
Upon listening to his other stuff, I hear a lot of Gary Stewart. And I freaking love Gary Stewart. Good find, Trig.
February 17, 2019 @ 6:58 pm
One of the best country albums to come out in over a decade; no bro-country and very little rock-a-billy to be found on this album only hints of early Strait and classic Jennings and Jones. Even without a fiddle; “If you gonna play in Texas’; he is still more country than Blake, the Line or Aldean.
Thanks Trigg for pointing him out.
February 20, 2019 @ 8:06 am
I finally got around to listening to this record. I am glad I did! it was great. good ole country music to my ears. thanks for the review