- Wade Bowen Performs "When I Woke Up Today" on The Texas Music Scene
- Variety Magazine Talks to Merle Haggard
- Hear New Andrew Combs' Song "Foolin'"
- Ian McLagan of Faces and Small Faces Dies
- Stream Sundy Best's New Record
- Willie Nelson Releases New Album "December Day"
- Aaron Watson to Release New Album "The Underdog" February 17th
- Almost Out of Gas Features the Taylor Cafe in Taylor, TX
- Sundy Best Release New Album "Salvation City"
- Despite Detractors, Bro-Country May Be a Bellwether of Nashville's Future
- Funny: Where Did Jerrod Niemann Go?
- Courtney Patton Sings "Take Your Shoes Off Moses"
- Bobby Keys, Hard-Living Saxophonist for Rolling Stones, Dies at 70
- New Photos of Johnny Cash at San Quentin Prison
- Music Industry Sues Chrysler, Mitsubishi Over In Car Recording Devices
- The Huffington Post Lists Off Best 2014 Country Albums
- Dom Flemons, 'Too Long (I've Been Gone)' Video
- Lyric Of The Week, Mickey Newbury, "An American Trilogy"
- Joni Mitchell Squashed Biopic Starring Taylor Swift
- Black Friday: Country Bibliophile Edition
- Blurt Gives Jason Isbell's ACL DVD 5 of 5 Stars
Country music in the second half of 2013 is going through some of the most historic changes the format has ever seen, with hip-hop influenced songs, albums, and artists dominating the charts, female artists being excluded like never before, and a litany of songs with laundry list lyrics or that are purposely written to be stupid garnering the lion’s share of attention. The ever-present erosion of what the term “country” defines has never been greater, and the charge of preserving the roots of country music has never been more dire.
As a symptom of all the change and upheaval, big-time artists are speaking out about the direction of country music like never before. We’re not talking about the usual suspects of country criticism like Dale Watson and friends, we’re talking about artists at the very top of the mainstream country food chain. Over the last three months, an average of 3 artists per month have spoken out about the direction of country—an overwhelming number when you consider these bouts of outspokeness would usually happen only a few times a year. And there’s no reason to believe this trend won’t continue.
So below we have aggregated a timeline of some of the music world’s top artists speaking out against the direction of country. In all likelihood, this timeline will continue to grow.
Speaking to American Songwriter, Kacey Musgraves said:
“My voice is undeniably country, and I love country. Do I love what it’s turned into? No, not all the way. It’s a little embarrassing when people outside of the genre ask what I sing and I say country. You automatically get a negative response, a cheese factor. My favorite compliment ever is when someone says, ‘I hate country music but I love your music.’”
During an in interview with Rolling Stone, Tom Petty said:
“Well, yeah I mean, I hate to generalize on a whole genre of music, but it does seem to be missing that magic element that it used to have. I’m sure there are people playing country that are doing it well, but they’re just not getting the attention that the shittier stuff gets. But that’s the way it always is, isn’t it?
But I hope that kind of swings around back to where it should be. But I don’t really see a George Jones or a Buck Owens or any anything that fresh coming up. I’m sure there must be somebody doing it, but most of that music reminds me of rock in the middle Eighties where it became incredibly generic and relied on videos. I don’t want to rail on about country because I don’t really know much about it, but that’s what it seems like to me.”
When asked by GQ what music trend needed to die out immediately, Kacey Musgraves said:
“Anyone singing about trucks, in any form, in any song, anywhere. Literally just stop – nobody cares! It’s not fun to listen to. I thought dubstep was cool for two seconds - but that can go away now too. It sounds like a malfunction of some kind.”
Kacey also said when asked what the best-dressed men in Nashville are wearing these days, “Nothing by Affliction. Just burn the warehouse down. It’s just douchey and really gaudy.”
While speaking with Reuters, Sheryl Crow, who just made a move to the country format and released a country album called Feels Like Home, said about her country move:
“The country format is more pop than pop was when I came up two decades ago,”
In an interview with The Baltimore Sun, Alan Jackson said:
“Right now, it seems like it’s gone. It’s not that I’m against all that’s out there. There’s some good music, good songwriting and good artists out there, but there’s really no country stuff left. It’s always been that constant pop-country battle. I don’t think it’s ever going to change. What makes me sad today is that I think the real country, real roots-y traditional stuff, may be gone. I don’t know if it’ll ever be back on mainstream radio. You can’t get it played anymore.”
During an interview with Larry King, Gary Allan was asked if Taylor Swift and Carrie Underwood were country, and he said:
“You know, I would say no. I would say they’re pop artists making a living in the country genre. I also feel like we lost our genre. I don’t feel like I make music for a genre anymore, and I did, you know, 15 years ago. But I think since the Clear Channel’s and the Cumulus’s and the big companies bought up all the chains, now it’s about a demographic. You know, so they’ve kind of sliced everything up, feeding it to the public in demographics.
“Like if you want to get to the young kids, you put it on the alternative station. We’ve sort of ended up in this…we’re nicknamed the soccer mom, like 35 to 45 year-old woman I think is what our demographic is. So it’s very different. You used to be able to turn on the radio and you knew instantly it was the country station just by listening to it, and now you’ve got to leave it there for a second to figure it out…. To me, country music is still Monday through Friday, and pop’s about what happens on the weekends.”
Gary Allan later clarified his statements, saying his words were taken out of context, and that he appreciated country radio and everything it had done for his career.
When speaking to Barbara Beam of 93.7 JR FM in Vancouver, Canada, Zac Brown said:
“I love Luke Bryan and he’s had some great songs, but this new song is the worst song I’ve ever heard. I know Luke, he’s a friend. ‘My Kind Of Night’ is one of the worst songs I’ve ever heard. I see it being commercially successful, in what is called country music these days, but I also feel like that the people deserve something better than that. Country fans and country listeners deserve to have something better than that, a song that really has something to say, something that makes you feel something. Good music makes you feel something. When songs make me wanna throw up, it makes me ashamed to even be in the same genre as those songs.
“If I hear one more tailgate in the moonlight, daisy duke song, I’m gonna throw up. There’s songs out there on the radio right now that make me be ashamed to be even in the same format as some other artists. You can look and see some of the same songwriters on every one of the songs. There’s been like 10 number one songs in the last two or three years that were written by the same people and it’s the exact same words, just arranged different ways.”
When speaking to “The Barnyard Show” on 92.5 in Connecticut about why there is so few women on the country music charts, Sheryl Crow said:
“I do think that in the last ten, fifteen years art has gone the way of commerce. Whenever there’s money involved, then you figure out what’s going to bring in sponsors, and what’s going to resonate with people and what’s going to sell records….I’d love to see that change.”
When talking to Rolling Stone about his new album, Jake Owen said:
“We need more songs than just songs about tailgates and fuckin’ cups and Bacardi and stuff like that. We need songs that get ourselves back to the format that made me love it . . . [like] when guys like Randy Travis released songs like ‘He Walked on Water’ – songs that meant something, man!”
When speaking to Country Weekly about country rap, Toby Keith said:
“You hear the hip-hop thing start kicking in, and you start going, ‘Is that what we gotta do now to have a hit?’ I don’t know how to do that. Is that what I need every one of my songs to sound like now?…You start playing [deep songs] to a twenty-something audience, and it’s like, ‘Naw, man, there ain’t no mud on that tire. That ain’t about a Budweiser can. That ain’t about a chicken dancing out by the river. That ain’t about smoking a joint by the haystack. That’s about somebody dying and sh-t.’”
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