2014 has revealed itself as the “Year of the Dark Horse” when it comes to compiling the greatest albums released in the last 12-month span. Tami Neilson, Karen Jonas, Charlie Parr, Matt Woods? Who’s heard of these people outside of their respective fan bases? And meanwhile the realm of mainstream music can’t field one candidate, unless you want to count First Aid Kit.
At the end of the “Deadman’s Blues” video (spoiler alert), it shows Matt passed out, and being resuscitated unsuccessfully by paramedics. The downward spiral the video portrays very much mirrors the real life stories of many musicians, and almost mirrored that of Matt Woods. “Apparently, blood pressure isn’t like pinball. High scores are frowned upon,”
2014 so far has been an interesting year for album releases for sure. Some names we were hoping big things from like Sturgill Simpson and Jason Eady delivered in big ways. Other dark horse names we’d never heard of like Karen Jonas came out of the woodwork to stun. Some names like Don Williams and Charlie Parr put out surprising albums that have to be considered high water marks of their career.
“Deadman’s Blues” went on to be named Saving Country Music’s Song of the Year in 2013, and received similar praise from other attentive periodicals. Matt Woods did what every songwriter yearns to do whenever they put pen to paper: make a deep, emotional connection with the rest of the world. But “Deadman’s Blues” was just one song. Would he, could he match it in a full album?