Dori Freeman is separating herself from the gaggle of country’s most encouraging prospects by mining the simple beauty from Appalachian dialect, taking deprecated compositions in outmoded tongues and making them feel more relevant than the most modernized hip-hop beats, and then contribution her own original expressions.
Dori Freeman was one of 2016’s greatest discoveries in country music with the release of her debut, self-titled album, scintillating fans and critics alike on its way to the top of many of the end-of-year lists. Now without wasting too much time in between releases and allowing the momentum to subside, she has announced her second album.
2016 is still a young, fertile lass and much more still needs to be determined. But I get the sense we’ll be talking about this album again come December, and Dori Freeman will not be a name unknown, but the one of the select few to be measured by.