Many of mainstream country’s big stars came to Nashville with the best of intentions. They had a sincere love of country music, a belly full of talent, and big hopes to make music their way and ascend the country music ladder with their integrity still in tact….
…and then the Music Row machine did it’s worst.
When you look back at some of the early songs, early albums, and even the early image of some of country’s biggest current stars, it can stimulate downright culture shock. Of course styles change naturally over time, but many of these artists came from small towns and had simple dreams. But the problem with money and fame is that you can always have more of it, and next thing you know, they become shells of their original selves.
Below are some illustrations, not necessarily listening suggestions, but examples of some of the dramatic changes we have seen in some of country music’s biggest artists since their start.
Blake Shelton – “Austin”
With long hair hanging down past his shoulders and a cowboy hat, Blake Shelton and his first single and first #1 hit “Austin” from 2001 seems light years away from the rapped verses and hip hop beat of “Boys ‘Round Here.” Not an exceptional song, but one that has a sincere story, steel guitar, and shows that Blake Shelton did have a soul once upon a time and didn’t mind singing a song for the “Old Farts & Jackasses.”
Luke Bryan – “I’ll Stay Me”
With his baseball cap facing the right way and a goofy smile, Luke Bryan from the small town of Leesburg, GA made his way to Nashville, and after penning big songs for Travis Tritt and Billy Currington, signed with Capitol Records Nashville in 2007 and released an album called I’ll Stay Me. Yes, let’s not let the irony of that title escape us. Bryan wrote or co-wrote all of the songs on the album, compared to his latest album Crash My Party that has only two co-writes from Bryan in the entire 13 tracks. Though there is certainly the early leanings toward a laundry list style of lyricism on “I’ll Stay Me,” it also has a lot of sincerity and a pretty authentic country flavor.
Jason Aldean – “Amarillo Sky”
Before Jason Aldean became the mainstream champion for country rap with “Dirt Road Anthem” and became one of the Godfathers of laundry list country with its caricaturist portrayals of rural life, he put out a song called “Amarillo Sky” on his debut, self-titled album in 2005, releasing it as a single in 2006. Instead of clichÃ©s about dirt roads, beer, & trucks that mark Aldean’s current offerings, “Amarillo Sky” tells a pretty authentic story about the struggle of American farmers, while the video featuring real sons of farmers does it one better. The song was written in part by Big & Rich.
Jerrod Niemann – “Good Ride Cowboy”
Jerrod Niemann has become the poster boy for the gentrification of country music with his EDM-laced radio superhits like “Drink To That All Night”, but can you believe that he once co-penned a tribute to Chris LeDoux cut by Garth Brooks called “Good Ride Cowboy”? Neimann actually had Garth record three of his co-writes, and had Jamey Johnson and Neal McCory record his songs as well. “Good Ride Cowboy” wound up at #3 on the Billboard charts in 2005. Below Niemann can be seen sporting an actual cowboy hat instead of his signature club-hopping fedora. Where did you go wrong Jerrod?
Brantley Gilbert – “What’s Left of a Small Town”
When Brantley Gilbert started out in country music, you wouldn’t even be able to recognize him compared to today. Brantley Gilbert ver. 2014 is all attitude with his ball cap pulled down over his eyes, singing country rap songs in a complete vacuum of self-awareness, but as many long-time Gilbert fans can attest, back in the day he wrote and sang some very sincere country songs, while being known to pay homage to the roots by playing many country classics. His first album released in October of 2009 called Modern Day Prodigal Son gave many hints to the bro-country king Brantley would become, but it also had a few really sincere songs, including one called “What’s Left of a Small Town”.
Sugarland – “Tennessee”
Remember when Sugarland’s Jennifer Nettles actually had a Southern accent, Kristian Bush had a cowboy hat instead of an outfit pattered off the leprechaun on the Lucky Charms box, and they had a third member that looked like a 40-something female volleyball coach? Yes, it was 2004, and light years away from “Stuck Like Glue.” Oh how I would have loved to be a fly on the wall during that uncomfortable meeting at Mercury Records when some suit demanded Jennifer lose her twang, and the band lose their third wheel.
Florida Georgia Line
….oops, they started bad and stayed there.