So the elder Earle wanted to make himself a traditional blues record, huh? Well, not that I don’t defend his right to do whatever he wants as a music artist, but it doesn’t make it smart or sensible or gainful or right. It’s a little self-indulgent, frankly, don’t you think? At least on the surface that is. What do we need Steve Earle making blues records for? Are there not enough of them?
Every day hundreds of people wake up, put their pants on, and head to Music Row in Nashville to try to find “the next one.” They cull through reams of new material being produced by big songwriting operations, when right under their noses are battle tested songs with proven appeal waiting to be cherry picked from the independent and underground music world. Here are just a few.
Adam Hood, Alabama Pines, Brian Keane, Darius Rucker, Dierks Bentley, Elanor Whitmore, Every Girl, Good Lord Lorrie, Hellbound Glory, I'll Sing About Mine, Jason Isbell, Josh Abbott Band, Kacey Musgraves, Old Crown Medicine Show, Shooter Jennings, The Long Road Ahead, Tom Morello, Turnpike Troubadours