The Royal Hounds are one of the bands who still embody that original Lower Broadway revivalist attitude. Playing standing residencies at Layla’s every Sunday night, and Robert’s Western World on Tuesdays, they’re rockabilly, they’re country, they’re wild and funny.
Alright, so normally I wouldn’t post some silly, viral video such as this. But it’s Robert’s Western World—one of the last bastions of true country music on Lower Broadway in Nashville. And it’s the Don Kelley Band, which is one of Robert’s and Lower Broadway’s most legendary bands.
Yelawolf has just released one of the biggest albums in American music at the moment. Love Story came in at #3 on the Billboard Top 200 last week, and where Radioactive flopped, Love Story has bounced. Love Story has some serious ties to country music that can’t go overlooked.
One of the last remaining bands that still holds onto that spirit that revitalized Lower Broadway and still plays there on a regular basis is Hillbilly Casino. Nearing their 10-year anniversary, the band that can regularly be seen playing Layla’s Bluegrass Inn has released a live album recorded at the Exit Inn called “Live in the USA.” I spoke to the Hillbilly Casino bass player Geoff Firebaugh about the album and Lower Broadway.
BR549, Brent Mason, Dan Huff, Don Kelley, Greg Garing, Harry Fontana, Hillbilly Casino, Jay McDowell, JD Wilkes, Johnny Hiland, Layla's, lower broadway, Nic Roulette, NIck Curran, Paul Birch, Redd Volkaert, Robert's Western World, Sarah Gayle Meech, Th' Legendary Shack Shakers, The Bluegrass Inn, The Don Kelley Band, The Eskimo Brothers, Yelawolf
Amongst all the bustle and big names in 1999, another superlative Austin talent released a debut album a little more quietly. The idea that there’s an amazing, world-class music talent on every corner of Austin, TX is not a myth, and Roger Wallace is a testament to that. But what many of Austin’s legendary local artists don’t have that Roger Wallace does is that one album that withstands the test of time.
Like JD Wiles of Th’ Legendary Shack Shakers said in part 2 of this series, the revitalization of lower Broadway started in the mid 90’s, but it was in the late 90’s when it really became “special.” Part of the reason for that was undoubtedly the presence of hillbilly royalty, from the bloodline of the man who helped build those buildings.
As lower Broadway became a hoping place in the mid 90’s drawing talent from all around the country, competition for choice time slots at the best bars became fierce, and if you didn’t keep the patrons entertained, there was no money in the tip jar. With so much talent and so few bars and dollars to go around, competition became hyper. In this environment, talent and originality were pushed to their limits and it created some of the most dynamic frontmen in any genre of music at any time.
Exit In, Hatch Show Print, Hillbilly Casino, Jason and the Scorchers, JD Wilkes, Jello Biafra, Joe Buck, lower broadway, Nashville, Robert Plant, Robert's Western World, The Bluegrass Inn, The Grand Ole Opry, The Legendary Shack Shakers, The Ryman Auditorium