It has once again come that time of year for reflecting back on some of the best albums released in the last 12 months or so, not to treat country music as competition per se, but as an exercise undertaken with the intent of expanding your musical knowledge in hopes the gaps that formed due to the busy lives we all live get filled in with joyous little music projects.
Midnight Motel is not just an album, it is an experience. Many artists try this, but Jack Ingram, producer Jon Randall, and his Beat Up Ford Band pull it off. Jack Ingram wanted to let everyone know as soon as they turn this record on that he doesn’t give a damn anymore about “making” it in music, or making tons of money from it.
The incredibly long drought for new music from one of the biggest names in Texas country is finally coming to a close. After releasing two records with Big Machine—the last being Big Dreams & High Hopes in 2009—Ingram pulled a disappearing act for the last seven years or so when it came to studio work, but will be returning in a big way this summer, and with a label known for letting artists do what they do best.