Every few years or so, an album in country music will emerge whose influence is so rich, its success so undeniable, and its relevancy and appeal so universal, it can’t be held back. ‘Purgatory’ by Tyler Childers released now three years ago is one of those records.
Country music will not be saved by just one soul, even though this is a thought process many fans and much of the media tend to buy into, often putting an unfair burden on the careers and purpose of certain artists, and placing them at odds with what they should be focused on, which is the creative process.
Just like Sturgill Simpson and Chris Stapleton, Tyler Childers was playing and writing music for many years before he was ready to become a part of the national country music conversation. It was only after years of failure, perseverance, tempering in the fires of everyday life and dues paid on small stages that Tyler was ready.
Over the decade of conducting business under the heading of “Saving Country Music,” no artist has created more anticipation and intrigue into what their future prospects may be, yet with so few national accomplishments and recognition than Tyler Childers.