Putting one’s personal story into song is the timeless way to deliver music with resonance and lasting impact irrespective of whatever trends are hip in popular music, or whatever current events are roiling the world. That is what legacy Americana singer and songwriter Allison Moorer has done with her latest record, ‘Blood.’
When Steve Earle threw Hayes Carll under the bus in mid June by calling Hayes a “younger, skinnier, less talented singer-songwriter” than himself, it set up a potential showdown at Willie Nelson’s annual 4th of July Picnic where both men were scheduled to play this year.
Down to Believing nestles right down in that classic alt-country approach of building up from a country foundation, but then striking out with a decidedly rock and roll sound. It’s a bold, full experience that in some ways reminds one of the nascent alt-country period when the sounds were still fresh and renewed, yet still had the essence of what made you a country fan to begin with.
To All The Girls is Willie Nelson’s third album to come from his recent partnership with Sony’s Legacy Recordings, and the second to come out this year. The record features an ample 18 tracks, each constituting a duet with a female counterpart drawing from a wide swath of talent that includes both legacy names like Loretta Lynn and Emmylou Harris, and some new names like The Secret Sisters and Brandi Carlile.
Alison Krauss, Brandi Carlile, Buddy Cannon, Carrie Underwood, Dolly Parton, Emmylou Harris, Loretta Lynn, Mavis Staples, Paula Nelson, Shelby Lynne, The Secret Sisters, To All The Girls, Willie Nelson, Wynonna Judd