Uncle Ezra Ray and “B.Y.H.B.” should be publicly laughed at, shunned, lampooned, rebuked, parodied, and told to take their big bag of nothing back to the teenie bopper clubs of Newport Beach. But instead “B.Y.H.B.” is probably a few choice spins on the Bobby Bones Show away from being awarded Single of the Year by the CMA.
2013 has come on strong here recently for quality albums, with some real contenders for the coveted “Album of the Year” distinction released just in the last week. Any “Best Of” album list for 2013 is also going to reflect the leadership and creativity displayed by country music women, which has become one of the year’s underlying themes so far.
Before this album, I’d been mostly opinion neutral on Holly Williams. Being the granddaughter of Hank Williams, the daughter of Hank Jr., and the sister of Hank3 appointed her music the respect of more than a cursory look. She was neither here nor there, and with a lack of scene support her career sort of drifted. The Highway, released on her own Georgiana label, changes all of that.