From performers, to songwriters, to executives and producers, to the strong scene of bluegrass entertainers from New York that have gone on to define the very highest reaches of the discipline, these Jewish contributors deserve our recognition and appreciation.
Upcoming country starlet Maren Morris, who’s been making waves of her own, was supposed to appear on Wheeler Walker’s duet. Maren even recorded the track with Wheeler, and Sony Nashville originally signed off on the collaboration. But at the last minute, the label apparently got cold feet, and permission was pulled.
It was said by many after the release of Wheeler Walker Jr.’s first album Redneck Shit, “Okay, that was fun. But where do you go next?” Wheeler Walker Jr. has an entirely new album’s worth of songs. That’s what he’s got. And he’s got ’em in a pretty short turnaround, and they’re just as funny and wit-filled as the first, if not more.
And then here comes this foul-mouthed comedy country artist named Wheeler Walker Jr., and all of a sudden we have a new man taking the point at trashing pop country. None of Wheeler Walker Jr.’s songs are “country protest” songs like we hear dozens and dozens of other traditional country artists perform. It’s the attitude he’s taking that’s slowly making him into a pretty serious gadfly for pop country and its suitors.
Believe it or not, there’s even a deep history for more lewd comedy that would happen in country music under the covers. Roy Acuff, the “King of Country Music” cut dirty songs when nobody was looking, and so did other early country legends, some under assumed names. These recordings were like the peep shows of music in the early days, passed around at beer parlors or in the back rooms of studios.
Ben Hoffman, Dave Cobb, David Allan Coe, Florida Georgia Line, Folk Uke, Grand Ole Opry, Roy Acuff, Shel Silverstein, Steven Tyler, Sturgill Simpson, The Beaumonts, Vince Gill, Ween, Wheller Walker Jr.