For nearly a decade, the radio and television program Music City Roots gave a platform to the country, roots, and Americana artists that were often overlooked in Music City, whether they were up-and-comers looking for a hand up, or oldtimers who’d been shoved aside.
Music City Roots
2018 was a high water mark when it came to the amount of diversity showcased by the organization and its community. But still the criticism for Americana’s lack of diversity have grown louder, bolstered by the current political climate where many feel they need to insist upon more diversity.
On Saturday, 12-17, Music City Roots, Yee-Haw Brewing Co., and Ole Smoky Moonshine are organizing a benefit for the fire victims called Mountain Tough that will include performances by Jim Lauderdale, Mo Pitney, The Secret Sisters, Sam Bush, Chuck Mead, Rob Ickes & Trey Hensley, and headliners the Zac Brown Band.
Just in time for throngs of Americana fans to flock to the city for the annual AmericanaFest the third week of September, a new radio station has launched just south of the city in Murfreesboro, and the signal and talent is strong enough that it may ultimately become the flagship for the still small, but quickly-rising Americana format.
The International Bluegrass Music Association unveiled their list of nominees for their 25th Annual Awards on Wednesday, August 13th. The IBMA will hold their awards this year in Raleigh, NC at the Duke Energy Center for the Performing Arts on October 2nd. Nominees were announced at The Factory in Franklin, TN, facilitated by Music City Roots who broadcast the announcement ceremony live.
2014, 25th Annual, Blue Highway, Del McCoury, Del McCoury Band, Detour, Flatt Lonesome, IBMA, INternational Bluegrass Music Awards, Music City Roots, Nominees, The Boxcars, The Spinney Brothers, Town Mountain, Volume Five
In the mid 2000’s, Tommy Ramone formed an old-time band with Claudia Tienan of the band The Simplistics called Uncle Monk. They released a self-titled album in March of 2006, and did numerous shows and tours around the country. Tommy played mandolin and some banjo, and in the old-school style, would lean into the microphone for solos instead of playing through a pickup.
Tristen is not a hunter, she’s a gatherer, listening intently to any song or influence regardless of format or era, and eagerly mining the little nuggets of nostalgic, retro gold that allow the warmth of memories to flow freely from the inner mind of listeners to lovingly embellish a song. She then embeds this warmth into her completely original, modern-day compositions resulting in music that is both fresh and hauntingly familiar.