Album Review – Daniel Donato’s “Reflector”
Prepare yourself for one of the most interesting, omnivorous, and immersive experiences that you can discover in music that still claims an allegiance to “country.” It’s Daniel Donato’s “Reflector.”
Prepare yourself for one of the most interesting, omnivorous, and immersive experiences that you can discover in music that still claims an allegiance to “country.” It’s Daniel Donato’s “Reflector.”
There are songwriters. Then there is that most exclusive pantheon of songwriters who graduate to imparting new perspectives on life otherwise inaccessible, and opening up entirely new avenues of thought in the audience.
As the name implies, the new movie has a major musical component, pairing it perfectly with a soundtrack that could have implications well beyond the film, and expose an audience to important music and performers.
A native Texan with Choctaw-Apache heritage who draws inspiration from the land and the songwriters who came before him, Vincent Neil Emerson has many feeling that magic that only the best of music can impart.
It may not be the music that most defines your life, but it’s music you don’t mind moving in and out of it. It’s Chris Stapleton, which means always on brand, always enjoyable, even if rarely exceptional.
Cody doubles down on his country roots, strengthens his commitment to quality songs, and even refines his sound with surprising sparsity and depth to the point where you’re nearly stunned at some of the results.
Being a country traditionalist from Canada means Sean Burns runs the same risk as the heroes he toasts on this album of being overlooked by history. But as ‘Lost Country’ proves, this is where the spotlight in country music should be.
When looking for the right artist or band to soundtrack your Halloween, it’s hard to go wrong with this outfit. There’s all the blood, horror, monsters, death, and despair to make it perfect for the witching hour.
‘The Great Western Hangover’ is Willy Tea Taylor’s alt-country album, and hopefully, his breakout from a cult following to more widespread critical acclaim, and a bridge back to his back catalog for those that discover him.
You can add “I Opened For The Killers And All I Got Was Appendicitis” to the list of completely unexpected but killer live releases from important independent country artists in 2023.
Forget all of the close approximations and hyphenated hybrids of country music, or the sappy singer/songwriter “Americana” stuff for a moment. When it comes to Cameron Wrinkle, he’s COUNTRY.
To Riley Green fans, he’s the real deal in country music, and nowhere near those mainstream pop country lightweights like Dan + Shay or Parmalee. Riley Green is an actual country music star singing actual country music songs.
Since the Kennedy Administration and for going on seven decades since, Mick, Keith, Charlie, Bill, and later Ronnie have been defining what rock and roll music is at its kernel root.
Tyler Childers once said of John R. Miller, “A well-travelled wordsmith mapping out the world he’s seen, three chords at a time.” Miller is the kind of true-to-life road dog that a lot of musicians wish they had the free spirit of…
Like some sort of woodland creature captured in a folk story that’s more myth and legend than physical manifestation, Sierra Ferrell dazzles the mind and imagination, and arrests you in a spell of charisma.”
Mamma Coal is one of those artists that national publications and playlists too often overlook, while her well-crafted music carries with it a national and international appeal for anyone with a love of country music in their hearts.
For sure, the big names that the Grammys tend to favor will get theirs. But let’s make sure that the names that don’t enjoy media darling status and might get overlooked in the process also receive attention.
Perhaps nobody evokes geography in their music from the perspective of a songwriter better than John Baumann. This is one of the reasons he was drafted into the West Texas supergroup The Panhandlers.
There’s a reason people come stumbling out of Mike and the Moonpies shows like their hair is on fire and they’ve just witnessed a miracle, swearing these boys from Austin are the best live band on this planet or any other.
Down in Austin, there is a new hot shit country band everybody in town is raving over, from the hipsters and old fogies two-stepping at The White Horse and Sagebrush, to Joe Rogan himself.
The Steel Woods stand on stage as modern-day Southern rock Gods. On what’s now their fourth full-length album, there’s no reason to measure them against any other, no need to attempt to draw comparisons.
It seems somewhere between stupefyingly uncanny and outright implausible that the band that’s best suited to recreate the Golden Era of country music in the modern context is an outfit out of Sweden of all places.
Have you ever been to one of those live performances that’s so magical and surreal that if feels like you’re floating on a cloud and you wish there was some way to bottle that experience for the future?
The younger, more blonde, and more bombshell that a woman is in country music, the more pop their country music leans. This is the unfortunate stereotype that country music fans have been conditioned to believe over the last 15 years.