The Band Perry situation is no longer one of simply being “bad” or in “poor taste,” or about making career decisions that are easy to second guess. I’m trying to think of another time that a country act tried to cross over, and it went so colossally bad. And I keep coming up empty.
Recently when Keith Urban was interviewed by Michigan Live and was asked if definitions like “country,” “rock,” and “pop” are important or meaningless, Urban replied, “Totally meaningless to me. I make music and people decide what it is. That’s it. I don’t think about it any more than that.”
I’m probably a fool for trying to give advice to American Idol on how to right their ship. At this point, barking advice is about as helpful as saying, “I told you to look out for icebergs.” The cultural phenomenon that was American Idol in the early oughts is no longer. So what’s American Idol’s solution for next season? Pander even more to celebrity.
If you want to find some snark and sarcasm from the 2012 Grammy Awards, you should check out the official Saving Country Live Blog from last night. Yes, Chris Brown and Nicki Minaj supplied some gag reflex moments, but there was also a lot of substance and lessons to be taken from the night’s festivities. Here are the top three things I learned.
21, 21012 Grammy Awards, Adele, Carrie Underwood, Chris Brown, Dave Grohl, Glen Campbell, Grammy Awards, Jennifer Hudson, Joe Walsh, Nicki Minaj, Paul McCartney, The Beach Boys, The Foo Fighters, Tony Bennett
Something remarkable happened in music in 2011: sales stabilized. What the music industry is ignoring, as well as virtually everyone else in the SOPA argument, is this dramatic and unexpected stabilization of music sales. Where did it come from and why? When you dig deep into the numbers there are two answers: women and vinyl.