The two originally met and collaborated at a 2004 Lead Belly tribute concert at the Rock & Roll Hall of Fame singing the Lead Belly song “Black Girl.” They struck up a friendship over their mutual love for Ralph Stanley, and the rest was history.
Perfection is certainly not at the heart of the appeal or staying power for Car Wheel on a Gravel Road. Instead it’s the sloppy, sticky, loose feel of it all, carried upon the words of Lucinda’s candid and real character recitations that make the record feel like the ultimate insight into the disheveled mind of the broken hearted.
Sunny Sweeney is an east Texas girl at her core, and no matter what Nashville does, it’s never possible to completely quiet those jangling spurs or smooth out that accent. She very much fits that mold of the Texas country artist that got big enough to be recognized by Music Row, but always felt just a little too authentic to do much more than experience that world from the outside looking in.
Big Machine Records, Jason Isbell, Kacey Musgraves, Lucinda Williams, Miranda Lambert, Provoked, Randy Weeks, Review, Scott Borchetta, Sturgill Simpson, Sunny Sweeney, Taylor Swift, Thirty Tigers, Will Hoge