The Saving Country Music Top 25 Playlist is built to keep you informed on all the best songs and albums coming out right here, right now in country and roots music. It’s available on most all streaming formats. New songs have just been added.
The allure of the man behind the mask making music under the name Orville Peck has become the talk of much of independent country music and Americana lately, with critics and fans alike swooning over his mod-styled moody music mixed with Western imagery. Most certainly what this man is doing is unique.
Zephanaiah OHora’s This Highway just very well might be a modern classic country masterpiece. It’s flawless for what it is, which is a reawakening of everything brilliant and beautiful about the Countrypolitan era of country music, while leaving all the superfluousness of strings and choruses and other overproduction aside.
For every officially-sanctioned event, there’s two more that squeeze in where they can and try to keep the original spirit of SXSW alive, including the now 8th Annual Brooklyn Country Cantina, which boasts a stacked 2016 lineup including Sam Outlaw, Daniel Romano, Possessed by Paul James, The Quebe Sisters, Mike and the Moonpies, and many more.
With harmonious lead guitar lines, the super tasty steel guitar, some really well-placed female harmonies in a couple of spots, Goodman really went all out on this one and really up’d his game as someone folks show be paying much closer attention to in the classic country realm.
Country throwback and old soul Daniel Romano has just announced he’s got a brand new album on the way. Self-produced, and recorded in his hometown of Welland, Ontario, the album is said to include strings, horns, piano, pedal steel, accordion, and be much more than your average neo-traditional release from its countrypolitan feel and exploration of nostalgia. Romano himself calls it “Mosey” music.
Whether you’re looking for some new music involving country music Canadian throwback Daniel Romano since it’s been exactly three years since his last release, or if you’re looking for a new name that embodies that classic country sound and style from the Golden Era that has been so lost and overlooked in the current country music malaise, this little four-song EP from Kay Berkel will be right down your alley.
Indio, California’s country version of the massive Coachella Festival bucks the trend of most corporate country music festivals by casting independent artists and legacy acts in their lineup right beside some of the biggest current names in the country music industry as well as major label up-and-comers. This is the environment that cultivates cross-pollination between independent artists and a wider fan base.
Daniel Romano, Della Mae, Gregg Allman, John Moreland, Kacey Musgraves, Lineup, Lydia Loveless, Merle Haggard, Nikki Lane, Parker Milsap, Stagecoach, Stagecoach Festival, Stagecoach lineup, Steve Earle, Sturgill Simpson, The Devil Makes Three, The Quebe Sisters, The Time Jumpers, Vince Gill
Dubbing themselves “Outlaw” country, New Country Rehab very much defines the space that refers heavily to country music’s storied past, while instilling it with a new set of sonic parameters and progressive values. The lilting love songs are certainly present here, but so is a heavy handed douse of social commentary that struggles to hide its anger.
We’ve been saying it all year—right now it is women taking the leadership role in trying help to save country music. But they’re not the only ones, and if you wanted to look for another significant segment of artists doing more help than harm to the genre, there’s no better place to look than north of the border. Here are six Canadian showing the type of creative leadership country music needs.
Daniel Romano is not a neo-traditionalist in the traditional sense. He’s not trying to regale the modern ear with a new take on the classic country sound. Instead Daniel Romano is like the method actor of classic country, carving his niche by offering a strict interpretation of classic country’s modes with striking accuracy. It’s not a retro sound, it is a strict, methodical re-enactment.