The alert and conscientious country music fan has always held deep suspicious that country music award shows, especially the ACM’s, featured lip-synced performances on an annual basis, but we may just now be discovering the depth of the deception on the American public during the presentations. “There have been plenty of people who have lip-synced on our show,” RAC Clark said…
Superstar country music group Rascal Flatts has confirmed that they indeed lip synced their performance Sunday night on the 49th Annual Academy of Country Music awards. The Big Machine Records trio lit up twitter when they took the stage, with observers wondering why the performance looked so wonky and wondered if lip syncing was the answer.
In late October when the 52-year-old Garth Brooks was getting set to announce he was officially coming out of retirement, Saving Country Music spoke in-depth about how the return of Garth could have a “colossal” impact on the genre. Well apparently, this prediction was a bit too measured, with a massive tour and a big “surprise” coming from Garth soon.
There still is a very long way to go here, and much more to be revealed. I still remain speculative of the platinum blonde hair and where Jamie Lynn’s heart truly lies, and how easy it would be for her to make the first single one that allows her to slide past the guard of the country music gatekeepers only to later spring a big pop surprise. But I’ll be damned if her first single “How Could I Want More” is not bad at all.
This news of Linda Ronstadt losing her voice due to Parkinson’s Disease seems like an especially sinister storyline. What a cruel machination of mother nature to rob a woman of her one defining gift while she still has life and clear cognitive factories to contemplate her fate. This isn’t any voice, or any woman.
Pending approval by federal regulators, the Disney Corporation has secured a deal to buy the institution of country music for $10.5 billion. The deal apparently would include all of country music’s major labels and their rosters of artists, institutions like the Country Music Hall of Fame and The Grand Ole Opry, award shows, and the naming rights to the now defunct restaurant chain “Kenny Rogers Roasters.”
Hellbound Glory just finished up a big 6-week tour, and behind them they left a trail of rumors that a future album might have a contribution from electro pop star Ke$ha. Pop stars positioning themselves for a country move by claiming they’ve always been into the music is nothing new. The difference with Ke$ha though is her references to her country roots and influences are actually true.
Indulge me here ladies and gentlemen, because I need to get something off my chest. I can’t in good conscience sit around tight lipped anymore as the youth of America are stultified and our young women exploited by these assholes over at The Disney Company.
I picture a post-Apolcolyptic scene: ghost towns full of crumbling buildings and rubble, smoke filling the sky and blocking out the sun, the result of a society that gave no value to art, heritage, and truth; a vast wasteland of grayness. Then all of a sudden in the midst of all the death and decay, […]
.357 String Band, Album, Andy Gibson, Black Eyed Vermillion, Brittney Spears, CD, Compilation, Dave Smith and the Country Rebels, Hellbound Glory, Izzy and the Kesstronics, Joe Buck Yourself, Joey Allcorn, Last False Hope, Little Lisa Dixie, Lucky Tubb & The Modern Day Troubadours, Old Red Shed, Outlaw Radio, Rachel Brooke, Review, Roger Alan Wade, Ronnie Hymes, Shooter Jennings, Six Gun Britt, Taylor Swift, Ted Russell Kamp, The Boomswagglers, The Dad Horse Experience, The Fisticuffs, The Goddamn Gallows, Those Poor bastards, Tompall Glasser