In the country music department, the amount of emphasis on Christmas releases in 2016 has been nothing short of astounding, and maybe even historic. And I’m not just talking about “Rascal Flatts Sing The Chipmunks” or whatever crap that’s out there. Even independent artists and country legends have showered the country music listening public…
Forget what you should call this music, if it fits in Americana, or if a country website should even be talking about it. The songs themselves are excellent, and truthfully, shoving the music and arrangements to the side for a moment, if you would call the songs of “Workingman’s Bellfuries” anything, you might have to call them country.
“Awards shows don’t matter.” This is the bill of goods fans of true country music, and fans of independent music have been forced to sell themselves for years as a consolation prize for continuously being overlooked, losing in bulk, and being generally embarrassed during the moments when America and the world crowds around the boob tube for the spectacle of a televised award show like the CMA’s or the Grammys.
Aaron Watson, Americiana, Ashley Monroe, Blackberry Smoke, Brandy Clark, Cam, Chris Stapleton, Grammy Awards, Jason Isbell, Kacey Musgraves, Lee Ann Womack, Leon Bridges, O Brother Where Art Thou, Ralph Stanley, Willie Nelson
It’s all R&B. Like, all of it. If it’s American and mainstream, chances are it’s better categorized as R&B than anything else. It doesn’t matter what genre of music you’re talking about. Of course R&B sounds like R&B, but so does hip-hop these days. Modern rock? Yeah, it’s pretty much just R&B. Country music? That may be the most convincing case.
Adele, Alabama Shakes, Brett Eldredge, Bruno Mars, Carrie Underwood, Chris Stapleton, Coldplay, Country Music Gold, Eli Young Band, Gary Allan, Jason Aldean, Justin Timberlake, Leon Bridges, Luke Bryan, mono-genre, Old Dominion, Prophets and Outlaws, Sam Hunt, The Weeknd, Thomas Rhett