The underlying problem is that free music is quickly becoming seen as an inalienable right for all Americans, and all of the world’s consumers, if we haven’t reached that dangerous plateau already. And the even more dangerous step of expecting musicians to pay to have their music heard is becoming more of a reality every day—evidenced by this Super Bowl Halftime news.
“Bro-country” is the phrase that has been on the tip of the tongue of many country music and culture writers when they try to describe the current phenomenon gripping popular country music that calls heavily on pickup trucks, beer, backroads, etc. etc., but according to Florida Georgia Line’s Brian Kelley, he’s clueless to what the term stands for.
Tonight in New York City at the Lexington Avenue Armory, Taylor Swift will be the musical headliner for the Victoria’s Secret annual fashion show, set to air on CBS December 10th. It’s not necessarily how much skin will be on display at the show that is so alarming as much as the appearance seems like such a calculated assessment of Swift’s public perception and an attempt to recalculate it.
Yesterday Billboard announced a new rule impacting their industry-standard music charts that will take into consideration YouTube views as part of the broader algorithm that determines the chart placement of songs. This is part of a bigger movement by Billboard that started in October of 2012 to update their charting to include data from the new habits of music consumers, including digital downloads and song streaming.
When Billboard announced new rules on how the songs on their “Hot 100” country chart would be tabulated, it caused a tizzy amongst folks who pay attention to these sorts of things. But the average Joe fans out there may have a little trouble understanding why the issue is something they should care about, and how it could negatively effect the music they enjoy.
Alan Jackson, Babel, Big Machine Records, Billboard, Brantley Gilbert, Charts, Country Charts, Eli Young Band, George Strait, Jason Aldean, Justin Moore, Kanye West, Mumford and Sons, new rules, Red, Rihanna, Scott Borchetta, Taylor Swift, Toby Keith, Will Hoge
I feel the need to iterate to you some observations for last night’s 2011 Grammy Awards, if only to get them off my chest. This is not entirely going to be a bitch fest. Every year they air the Grammy’s, and every year people are left scratching their heads and feeling hopelessness for music, and so it was to be expected that this year would be no different…
Bob Dylan, Bob Seger, Charlie Louvin, Eminem, Esperanza Spalding, Garth Brooks, Grammy, Justin Bieber, Kid Rock, Lady Antebellum, Lady Gaga, Martina McBride, Merle Haggard, Miranda Lambert, Mumford and Sons, Randy Travis, Rihanna, Stevie Nicks, Taylor Swift, The Avett Brothers, The Black Crowes, The Suburbs
I’ve been up in pop douche Chris Brown’s kitchen even BEFORE he took a closed fist to his girlfriend Rihanna. Back in December (2008) this knucklehead recorded a song with country’s superlative sellout Tim McGraw called “Human”, and afterwards said “It’s incredible, I wanted to do something more along the country line. That’s a bigger […]