The impact and reception for the “O Brother Where Art Thou” soundtrack was so significant, it’s very fair to characterize it as one of the most important albums in country music history, and it was most certainly one of the most significant releases of the last 20 years.
Mumford and Sons
Over the last few years, David Letterman and The Late Show have become tireless supporters of many of the older country artists and up-and-comers that mainstream country so unfortunately pays little to no attention to. To giving artists like Ray Wylie Hubbard, Dale Watson, and Sturgill Simpson their first network debut, to being one of the few shows regularly willing to book Willie Nelson and other legends…
Country music in 2013 feels like the best of times, and the worst of times. While a few top male performers perpetrate untold atrocities on the integrity of the genre, the rise of independent music and infrastructure in the marketplace is now almost to the point where it equals its corporate counterpart. Quality songs and worthy artists are beginning to see more and more support…
Yes, if you needed any more evidence that the Mumfordization of music has reached every single God forsaken corner of popular music world, now Dave Mustaine and his heavy metal legacy band Megadeth are browsing through Guitar Center catalogs looking for “guitjos” and releasing a supposed “bluegrass-inspired” track on their latest album.
the loss of .357 String Band may go down as underground country’s greatest tragedy. I can think of no other project that was so ripe for becoming a success story of authentic American underground roots. They were brilliant, but accessible at the same time. It is a great sin of American music. They have re-issued their landmark 2008 album “Fire & Hail” on vinyl.
By all accounts, I should hate these dudes, and this album by proxy. t was announced that Babel was the best-selling debut so far in 2012, selling 600,000 copies and outpacing folks like Justin Bieber. Really? Has the “roots” revolution reached such a point that it is the most popular, mainstream thing going in music these days? How am I supposed to be okay with that, and where is this leading?
When Billboard announced new rules on how the songs on their “Hot 100” country chart would be tabulated, it caused a tizzy amongst folks who pay attention to these sorts of things. But the average Joe fans out there may have a little trouble understanding why the issue is something they should care about, and how it could negatively effect the music they enjoy.
Old World’s Ocean puts The Calamity Cubes’ bevy of talents on glorious display. Excellent songwriting is conveyed through flawless vocal performances and inventive music. They say to make it in music today you need a distinct voice, and The Calamity Cubes have two of them; the deep, brooding baritone of Brook Blanche, and the whimsical, character-filled sighs of Joey Henry.
With Kid Rock hosting the CMT Awards, with country rapper Colt Ford performing, and with Jason Aldean and Ludacris closing the show out with a rap song, you can make the case that 15%-20% of the 2011 CMT Awards was either rap or rap inspired. I expect those percentages to increase until the number gets to 50%. Then the mono-genre will be fully realized, and the death of contrast will be complete.
I feel the need to iterate to you some observations for last night’s 2011 Grammy Awards, if only to get them off my chest. This is not entirely going to be a bitch fest. Every year they air the Grammy’s, and every year people are left scratching their heads and feeling hopelessness for music, and so it was to be expected that this year would be no different…