The Americana Music Association has announced their 2017 Top 100 Albums of the Year based on reporting to the Americana Airplay Chart from Americana stations during the period of Dec. 6, 2016 through Dec. 4, 2017. The chart can be a good way to see what you might have missed in the year of Americana.
iHeartMedia will likely be filing for its own bankruptcy soon enough, but the situation is so difficult for the radio giant, they can’t even come to a resolution with creditors to file for bankruptcy protection at the moment. Cumulus Media used Chapter 11 to resolve some $1 billion dollars in overhanging debt, iHeartMedia’s debut is a whopping $7.7 billion.
The first shoe has fallen in what promises to be a prolonged period of massive reorganization and debt restructuring in America’s radio landscape, as one of the largest radio station owners has filed for Chapter 11 bankruptcy. Cumulus Media has filed voluntary petitions to reorganize under Chapter 11.
Carly Pearce gives one true hope for the future of women on country radio as her debut single “Every Little Thing” hits #1 on the radio charts this week. And the success Aaron Watson continues to have with his song “Outta Style” doesn’t stop, which was unthinkable from a truly independent artist in previous years.
Those who’ve followed the sometimes winding path of Tyler Mahan Coe know that he’s much more than one of David Allan Coe’s sons. Only fitting that podcasting would fit right into Tyler’s wheelhouse, and while everyone these days thinks they can launch a podcast, Coe has taken a unique approach with his.
If you ever thought that there was a chance that Kid Rock was going to run for the United States Senate, then you probably don’t deserve to be offering opinions on music or politics at all.
As the Americana genre continues to expand market share for the independent industry, and is aided by the success of big stars such as Jason Isbell, so expands the need for better infrastructure and accountability in the format. On January 1st Americana will implement an automated system to count all the songs played in the format.
The fact that “Vice” has now gone platinum is not entirely surprising as a lead single from a mainstream country star, but what is surprising is the song never cracked the Top 10 on country radio during its ascent. “Vice” stalled out at #11 before being moved to recurrent.
for years, Broadway was one of the very few personalities in mainstream country radio willing to ask tough questions of artists, willing to broach subjects otherwise thought of as taboo in the mainstream, and overall just show guts and independent thinking in an otherwise stuffy, closed-off world. And he did it all with class and respect.
The incessant march of political revelations in a purposeful trickle that won’t allow the public or the media to regain a sense of the normal news cycle is causing long-term, damning affects on how Americans fundamentally live their lives, and how they interface with each other, their communities, and engage in entertainment and leisure.
Much has been made recently on the evacuation of print media departments at certain major media outlets in lieu of video production staff. At the same time print media is being fazed down in many sectors of media, podcasting in the sports and entertainment realm is booming.
At the moment there are exactly zero women in country radio’s Top 20, and a whopping total of 4 in the entire Top 50 for an abysmal 8% representation. In fact this 4 out of 50 ratio has been pretty consistent now for the entirety of the “Body Like A Backroad” reign at #1.
Sam Hunt’s smash single “Body Like a Backroad” has already made history, and is set to make more. By now logging 20 weeks at #1, “Body Like a Backroad” and Sam Hunt break a 55-year-old record on the 59-year-old Billboard Hot Country Songs chart previously held by Leroy Van Dyke’s “Walk On By.”
This week, Florida Georgia Line’s collaboration with the Backstreet Boys called “God, Your Mama, and Me” hit #1 on Billboard’s Country Airplay Chart, meaning The Backstreet Boys—a washed-up boy bad who otherwise had not received a #1 distinction for over 18 years—is now the owner of a country music #1.
Ashley Monroe, Backstreet Boys, Brandy Clark, Cam, Chris Stapleton, David Allan Coe, Florida Georgia Line, God Your Mama and Me, Jamey Johnson, Jason Isbell, Kacey Musgraves, Marty Stuart, Sturgill Simpson
Look, is it possible for us to make too much of this situation over country music artist Lindsey Ell having a radio appearance last Friday canceled on a CBS-owned radio station because she’s in a relationship with rival iHeartMedia on-air personality Bobby Bones? Yes, it is. But I’m not sure we’re there yet.
One would be hard pressed to find another industry that is as insular, antiquated, and downright embarrassing as the one that is in charge of managing the affairs of mainstream country radio. Despite checks and balances that are supposed to be in place, the amount of backroom deals and dirty practices is unconscionable.
Sam Hunt’s “Body Like a Backroad” has now topped the Billboard Hot Country Songs chart for 17 straight weeks. Meanwhile, “Body Like a Backroad” continues to pick up crossover spins. Unfortunately for Miranda Lambert, her current single “Tin Man” is headed in the opposite direction.
Sometimes the effort to save country music feels like one step forward, two steps back. Last week at this time we were all gaga over the fact that Chris Stapleton’s stripped-down new single “Either Way” was the most added single at country radio and debuted at a surprisingly #26 on the charts, but “Either Way” took a proverbial dive during its second week.
Over the last few weeks, an obsession grew for the self-proclaimed “queer punk” duo known as PWR BTTM. The band became part of an agenda in music journalism to make the music secondary to a political narrative. The problem in the case of PWR BTTM is that the band had not been properly vetted.
As we continue to ponder what country radio might look like after the impending implosion of iHeartMedia and corporate radio as we know it, some very interesting developments emerged on the country radio charts this week.
Ever wonder what would happen if one of the deep insiders in the big Music Row system broke free and started spilling the beans on all the stuff that happens behind-the-scenes? That is exactly what former radio promoter and executive Tom Moran is doing on his Inside Nashville podcast.
And now for something entirely unexpected, but in a strange and sad way somewhat plausible and curiously intuitive, John Mayer and his label Sony have made a full on play to court country radio with his song “In The Blood” from his recently-released record, ‘The Search For Everything.’