Jason Eady can do what they can do, but they can’t do what Jason Eady does, which is strip it all back and have the appeal for the music rest entirely on the written composition of a song. Even the most minimalist of performers have to rely a little bit on style, groove, or some sort of window dressing. But for Jason Eady, it’s like a type of Zen.
When you have a good song, most everything else tends to get in the way. That’s the case with “Barabbas.” Wise songwriters know that when you can put the weight of historical moments and important figures behind your song, you’re getting a vastly superior head start on your average, sappy love song.
Miranda Lambert isn’t releasing one, but two albums November 18th when her double record ‘The Weight of These Wings’ hits stores. With all that material she was sure to solicit help with songwriting. And as we attempt to read the tea leaves of what we might expect from the new record, the names in the songwriting credits are making the prospects more interesting.
For years we’ve been waiting for the two Texas country traditionalists, regular tour mates, and fluttering love birds of Jason Eady and Courtney Patton to release a duets album, and very soon we’ll get our wish. Just announced, the duo will be releasing an acoustic album called ‘Something Together.’
If you’re looking for music that immerses you in a sea of sludgy, gritty, thumping and twangy Southern melody served unfiltered and full-bodied, and mired deep in the honey and depression of the authentic Southern identity, then you have come to the right place.
Forget all the sappy relationship stuff, and how it happened and where it might lead. Miranda Lambert ditching Blake Shelton and ending up with Anderson East might be the perfect illustration of the drastic role reversal 2015 has ushered in throughout the greater country music realm, and how 2016 could be poised to completely turn everything upside down.
Aaron Watson, Adam Hood, Anderson East, Ashley Monroe, Blackberry Smoke, Brandy Clark, Chris Stapleton, Dave Cobb, David Rawlings, Fred Eaglesmith, Gillian Welch, Holly Williams, Jason Isbell, John Prine, Miranda Lambert, Patty Griffin, Steve Earle, Sturgill Simpson, Zac Brown
The brain child of songwriter Rob Snyder, The Revival is celebrating its two year anniversary next Tuesday, May 19th. A songwriter in-the-round setup with just acoustic guitars, The Revival is a place to not just be seen, but heard, and one of the few places you’ll find true songwriters still playing inspired songs mere steps from Music Row proper.
What makes the queen bees of the Texas country power quartet The Trishas so special is that if you separate the four ladies out individually, they all still have enough magnanimous sway to amass an impressive listening audience by themselves, and songwriter Jamie Lin Wilson is a perfect example of that. Remaining restless and hungry through a hiatus in The Trishas…
When Lee Ann Womack set out to construct her 2014 album The Way I’m Livin’, she went looking for songs that weren’t written by committee as is the norm in Nashville these days, but songs that originated from one person going through a human experience who then shared that experience through song. Such a search if it was to be thorough and prudent would almost invariably involve Chris Knight.
Adam Hood is not a native of Texas or Oklahoma, but he is an honorary member of the Texas country scene if there ever was one. And now that he’s officially called Frank Liddel’s Carnival Records quits, he’s back releasing his music independently and calling his own shots. Only appropriate then that he would release an album that is strikingly personal in a very palpable and meaningful manner.
Adam Hood, Crazy Ex-Girlfriend, Frank Liddell, Jason Eady, Lee Ann Womack, Leon Russell, Miranda Lambert, Ray Wylie Hubbard, Review, Roots and Branches, Stoney LaRue, Sunny Sweeney, Tavern In The Gruene, Welcome to the Big World, Will Hoge, Willie Nelson
When you sit down to assemble a list of candidates for Song of the Year, you almost start to tremble in the face of so much creativity, inspiration, and insight, and grow humbled by how fortunate we are to live in such a bountiful time for music. Candidates for Song of the Year can’t just be songs we enjoy, they are songs that make you change the way you see the world, or change the way you see yourself.
2013, Adam Hood, Alone In Memphis, Ashley Monroe, Austin Lucas, best songs, Brandy Clark, Brennen Leigh, Brian Keane, Caitlin Rose, Charlie Robison, Deadman's Blues, Disappear On Down The Line, Drinkin', El Camino, Elephant, Hank3, Holly Williams, I'll Sing About Mine, Jason Isbell, JB Beverley, John Moreland, Josh Abbott Band, Lindi Ortega, Matt Woods, Noel McKay, Shane McAnally, Song of the Year, Stripes, Sturgill Simpson, Tin Star, Valerie June, Wade Bowen Songs About Trucks
This is a guest post from Austin-based singer-songwriter Slaid Cleaves. Slaid recently was featured on Saving Country Music after making some critical comments about modern country music in an interview with the Chicago Sun-Times, and he wanted an opportunity to elaborate on his statements. Slaid’s latest album, the critically-acclaimed “Still Fighting The War” was released in June.
There’s nothing worse than inadvertently coming within ear shot of one of those songs—the idiotic country music laundry list / checklist ditty, or even worse when the performer is inclined to get all hip-hop on your ass and start rapping the lyrics over a drum machine beat. If you find yourself bent over and fighting back a gag reflex from Class A country checklist exposure, these songs will help cure what ails you.
I’m not sure if how light the selection is for potential Song of the Year candidates at the halfway marker says how anemic 2013 has been so far for top flight songs, or how fortunate we were in 2012 to have such a strong field. I could only find five true candidates. But despite the lack of quantity, quality is certainly represented in these five songs, and 2013 promises to come on strong…
Adam Hood, best country songs 2013, Brian Keane, Caitlin Rose, Drinkin', Holly Williams, I Was Cruel, I'll Sing About Mine, Josh Abbott Band, Leave Everything Behind, Life Ain't Fair and the World Is Mean, Sturgill Simpson, The Dinosaur Truckers
Every day hundreds of people wake up, put their pants on, and head to Music Row in Nashville to try to find “the next one.” They cull through reams of new material being produced by big songwriting operations, when right under their noses are battle tested songs with proven appeal waiting to be cherry picked from the independent and underground music world. Here are just a few.
Adam Hood, Alabama Pines, Brian Keane, Darius Rucker, Dierks Bentley, Elanor Whitmore, Every Girl, Good Lord Lorrie, Hellbound Glory, I'll Sing About Mine, Jason Isbell, Josh Abbott Band, Kacey Musgraves, Old Crown Medicine Show, Shooter Jennings, The Long Road Ahead, Tom Morello, Turnpike Troubadours
Bare midriffs, buxom gyrations, and badass cars are no match for the curves and character of a real country face served cold. Neither is the caricaturish, shallow, and materialistic portrayal of rural life in pop country compared to the sense of family and community, and the fulfillment of hard work that accompanies true country living. Now that is something to be envious of.