Let’s just start this off by drudging the big elephant right out in the middle of the room and shining a big ‘ol spotlight on it. Mike Curb, Herr Führer of Curb Records—the man who has made millions off of the indentured servitude of many of country music’s most famous names, has thrown his money behind the much-ballyhooed preservation of Music Row’s historic Studio ‘A’ in Nashville.
If you’re looking for names to populate your most anticipated projects to be released in 2015, putting Mo Pitney at or near the top would be a savvy choice. With a one in a million country voice conveyed in a smoothness we haven’t heard since Don Williams, Mo Pitney is a chill-inducing traditional country artist with a succulent pentameter and delivery, and a songwriter’s pen engorged with stories.
It looks like Hank Williams Jr. might be the next signee to the Cumulus Media / Big Machine Label Group joint venture known as NASH Icon meant to give new life to aging artists who’ve been passed over by mainstream country radio. In the midst of Hank’s ACCA performance, he switched over from a cowboy hat to a black hat with gold lettering that simply read “ICON” across the front.
That’s right, the Curb Records madness continues, and continues to reach for comical, if not maniacal heights. Apparently Curb Records is readying the release of a new Hank III album called “Take As Needed For Pain.” Meanwhile Curb has prepped the 10th compilation/Greatest Hits album from Tim McGraw, and has more greatest hits albums ahead for LeAnn Rimes and Rodney Atkins.
I write these words knowing that many will roll up to this Tim McGraw dissertation looking for a bowl of blood as recompense for the emotional direst recent Tim McGraw singles such as “Truck Yeah” have waged on the mental state of many innocent country music fans. But the simple truth is Tim McGraw’s new album ‘Sundown Heaven Town’ deserves to be spared the most sinister strokes from the poison pen.
So now the question is, who, if anyone, would be in a position to purchase the property with the intent of preserving the Studio ‘A’ space, and potentially the building it occupies? As Bravo Development has stated, the building is in poor shape. All indications are that financially, the most feasible move for most any developer would be to demolish the building and build on the property footprint.
The music spirit in Hal Ketchum has surfaced once again, and working with Austin, TX-based label Music Road Records, the 61-year-old singer is set to release his first album in six years called “I’m The Troubadour” on October 7th. “I came to the realization that I had gotten to this deep level of depression, and I finally said to myself, ‘I can still do this. I can still write.’ “
Brad Paisley has been making quite the spectacle on Twitter over the last two days, claiming to be leaking bits and pieces of his upcoming album Moonshine In The Trunk against the will of his label Sony Music. Or so he says. This Brad Paisley leaking episode is not him acting out against his label, it is pure marketing. Whether Sony was in on the ruse really is inconsequential.
The grandson of Hank Williams and the son of Hank Jr. falls in line with the other country artists covered in Saving Country Music “10 Badass Moments” series by being a rough and tumble character both on and off the stage, but also in showing great character by giving back and using his famous name for good. Here’s 10 Badass Moments from Shelton Hank Williams III, or Hank3.
Yes, the Curb Records saga for Hank3 continues. The grandson of Hank Williams and the son of Hank Jr. is having to deal with yet another post-contract release from Curb records, this time called Rambin’ Man, slated for release on April 1st. The album will include 8 tracks of outtakes, unreleased material, and cover songs Hank3 contributed to tribute albums and other projects during his Curb years.
Not since Blake Shelton called traditional country fans Old Farts and Jackasses has a sitting country music star painted such a grim and disparaging picture for traditional country music as Clay Walker, The 44-year-old Curb-Asylum artist says that “Traditional country music died,” and that George Strait’s win for Entertainer of the Year was a “closing of the door” for traditional music in the country format.
Curb Records is releasing yet another album from Tim McGraw; an artist that hasn’t called Curb Records home officially for over 2 years. The album will be called Love Story and will feature Tim McGraw’s “12 biggest love songs,” two previously-unreleased recordings, and will be released exclusively through Wal-Mart on February 2nd, 2014.
The last few weeks might go down in history as one of country music’s most feud-laden moments. Though country music feuding may be on a sharp rise here recently, it is not an uncommon or recent occurrence in country music by any stretch. Nothing gets folks talking like a good old artist on artist donnybrook. Here are some of the most infamous over the years.
After a six year wait to release an album of original material at the mercy of Curb Records’ career-shattering and sometimes illegal talent retention program, prolonging the release process for artists on their final album with the label nearly indefinitely, the embattled and bruised LeAnn Rimes has finally released “Spitfire.” The chatter around “Spitfire” has been polarizing to darn near bellicose.
Mike Curb’s repressive stance towards artists and his sharky dealings with other labels is a given amongst the informed country music community, with his latest ploy being the release of a duets album from Tim McGraw two weeks before the former Curb artist is slated to make his debut on Big Machine Records. But Hank3 and Tim McGraw are just the tip of the iceberg.
Curb Records’ talent roster continues to contract. The latest defector is Jo Dee Messina, whose charted 9 #1 hits and sold more than 5 million records worldwide during her 18-year career. The reason? Just like Tim McGraw, Hank Williams III, Clay Walker, Lyle Lovett, and LeAnn Rimes to name a few, Jo Dee Messina is fed up with Curb refusing to release her music.
On Tuesday (9-25-12), the Tennessee Court of Appeals upheld a lower Chancery Court ruling denying a request by Curb Record to block Tim McGraw signing and recording with another record label. Barring another appeal being accepted by the Tennessee Supreme Court, this means Tim McGraw is finally free from Curb Records, his label for 20 years.
But more than just shedding light on Big Machine’s relationship with Tim McGraw, the documents and interviews Curb Records is requesting could also unlock reams of Big Machine business secrets that could give Curb new strategic advantage over the much-younger Big Machine who is steadily gaining market share from Music Row’s old guard.
Now the court has ruled in favor of Curb Records to postpone the trial until it can investigate the legal relationship between Big Machine Records and Tim McGraw. But once again, some outlets are falsely reporting the story, saying that Curb won and now all the music Tim McGraw has recorded with Big Machine is now the property of Curb. This is simply what Curb records is requesting from the court.
An outright street fight of mammoth proportions is breaking out on Music Row in Nashville, pitting two of Music Row’s heaviest hitters against each other, Mike Curb of Curb Records, representing the old guard and the heavy-handed restrictive way of handling artists, and the up-and-comer, Scott Borchetta, the Country Music Anti-Christ as the two men release competing singles from Tim McGraw.
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