Chivalry may be dead, but it’s alive and well in the McGraw/Hill household. In a press release, the couple announced they will release a new single together called “Speak to a Girl” that will be shipping to country radio on March 23rd. It will be the first single off of a joint album with McGraw and Hill.
Big Machine Records
Despite the rumors and speculation, and Saving Country Music once naming him the “Country Music Antichrist,” apparently Scott Borchetta is indeed a mortal after all. We’re still trying to sift out what exactly has happened to the Big Machine Label Group’s Dot Records, which has apparently bit the bullet.
What’s so strange about the news is Tim McGraw seemed to be doing so well on Big Machine after fleeing Curb Records. There was a lot of symbolism in McGraw moving to Big Machine after a lengthy court battle with Curb, which tried to keep him on the label indefinitely and was ruining his career.
Meghan claims that in 2010 at the beginning of Steel Magnolia, a “very powerful man in the music business” reached under her skirt and groped her, and then tried to pick her up by her butt while numerous other important people in the music industry watched. The context of the revelation from Meghan Linsey was the release of Donald Trump’s off-camera comments.
Fraternal twins The Church Sisters—one of the most promising young acts in the traditional country, bluegrass, and Gospel realms—have officially signed with the Valory Music imprint of Big Machine Records. This is after the duo signed a development deal with Big Machine back in August of 2015.
Aaron Lewis, the frontman for the emo noise band Staind, whose been dabbling in country music for years now, has just signed to Dot records—a division of the Big Machine Label Group—and will be releasing a new record called Sinner on September 16th. And as part of the announcement, Aaron has released a country protest song called “That Ain’t Country.”
The strange saga of what was once one of country music’s most promising trios and family bands continues. After parting ways with Nashville-based record label Big Machine in early March after the colossal failure of their latest single “Live Forever,” it has been announced that The Band Perry has signed with Interscope Records and is going full pop.
The incredibly long drought for new music from one of the biggest names in Texas country is finally coming to a close. After releasing two records with Big Machine—the last being Big Dreams & High Hopes in 2009—Ingram pulled a disappearing act for the last seven years or so when it came to studio work, but will be returning in a big way this summer, and with a label known for letting artists do what they do best.
The news leaves what once was one of the most promising new bands in country music in limbo. The Band Perry has won a Grammy Award and done decent on the radio in the past. The big question is whether their new (and ultimately failed) pop direction was the idea of Big Machine, or of their own team, and if they will continue to stay committed to the direction moving forward.
Yes, it’s very easy, and very popular and seductive to rally behind Kesha in this matter. The press and popular culture love to hate stories about women being kept down or even abused by overbearing men and the companies they run or hide behind. Kesha doesn’t have a particularly compelling reason to lie, though the way major label contracts are constructed, who wouldn’t want out of one . . .
Steven Tyler deciding to “go country” recently is so achingly predictable and cliche, but unlike other aging rockers who switch to country to save a dwindling career, there’s still plenty of meat on the Aerosmith bones. The rock band could be touring the country and world right now and filling up arenas just fine, but instead they’re on a hiatus so frontman Steven Tyler can chase a lark.
There’s a ton of great records from Hank starting the the late 70’s all the way up to the early 90’s that country fans will be pulling off of shelves for years to come when they’re looking for some good country music with a rock and roll kick, and if I had a vote I would induct Hank Williams Jr. into the Country Music Hall of Fame in the Modern Era category yesterday. But It’s About Time adds nothing to Hank Jr.’s legacy.
Timed to coincide with the Rock and Roll Hall of Fame announcement was the Cheap Trick news that they have a new album on the way called Bang Zoom Crazy…Hello. It will be the band’s 17th total album, and their first album in over five years. And it will be released on country music’s fastest-growing major label—Big Machine Records.
Ahead of a comeback album called It’s About Time scheduled for release on January 15th, 2016 through Scott Borchetta’s NASH Icon label, Hank Williams Jr. has issued a rendition of the oft-covered “Are You Ready For The Country,” originally penned by Neil Young, and covered by Waylon Jennings some years later.
The color yellow was picked to be the primary backdrop for the relaunch. The image of a diamond shaped like a heart was selected as a logo (even though that’s not the way a true heart-shaped diamond is cut), and everyone had visions of a blockbuster #1 single and sold out arena tours dancing in their heads. . . . and since then, “Live Forever” has flopped.
The allure of ABC’s hour-long drama Nashville lost its luster for yours truly many seasons ago after the drama got so ridiculous you could see the plot twists coming from a mile away. And the music—though still a decent component—got somewhat sidelined in recent seasons in lieu of keeping the sappy and seductive scenes coming to keep eyes glued on the TV screen.
In peep show fashion over the last few days, Hank Williams Jr. has revealed he’ll be releasing his latest album called “It’s About Time.” It will be Hank Jr.’s first album on Big Machine Records’ NASH Icon imprint. He signed to the label meant to give new life to older artists in late April.
A new feature recently posted in GQ goes much farther in describing the conflict between Swift and Big Machine. This wasn’t a simple exchange between Swift and Borchetta. There was an outright intervention going on, with numerous high-level executives doing what they could to assuage Swift into not going pop 100%.
Though some may consider Tim McGraw soaring in such high thermals that it’s sacrilege for him to be singing about scraping the bottom and setting out to fulfill your dreams in country music, but that’s exactly what McGraw did on May 10th, 1989 when he boarded a Greyhound bus bound for Nashville—the day after his country music hero Keith Whitley died.
Okay so Tim McGraw is declaring his next record is Damn Country Music. Well let’s just wait and see. But let’s wait to actually hear the music on November 6th before we start high fiving each other. In the end, it’s just a cover.