Texas country artist Pat Green recently released a new single called “While I Was Away” ahead of the release of his new record Home on August 14th, and when asked what he thought about the new artists and the new style of country music prevailing in the mainstream today, he not only took the high road, he had some high praise for one of country music’s most notorious repeat offenders.
There’s been a Clint Black sighting! And there’s been a Clint Black signing! And now one of the lost artists of country music’s famed “Class of ’89” is back in the saddle, and one of the most forward-thinking and upwardly-rising record labels in Nashville have landed arguably their biggest fish yet.
Announced Tuesday (6-23), Downtown Music Publishing has signed Sturgill Simpson to a worldwide publishing deal, according to Downtown’s Senior Vice President of Creative Services Jedd Katrancha. It not only includes any music Sturgill Simpson may release in the future, but also his back catalog of songs from his Thirty Tigers releases.
Fans of the hard-charging sound and weighty songwriting of the Oklahoma-based Texas country band The Turnpike Troubadours will have their wishes answered when the band releases their latest, self-titled album. The release follows their highly-acclaimed 2012 offering Goodbye Normal Street, and will surely be one of the most welcomed releases of 2015 in Texas country and beyond.
David Macias is the President of Thirty Tigers: the marketing and distribution company. Jon Hensley, the manager for Shooter Jennings and Wanda Jackson who unexpectedly passed away on Monday June 1st, was a former employee of Thirty Tigers. David reached out to Saving Country Music to post a remembrance of Jon as he travels to Kentucky to attend his funeral.
The highly-anticipated follow up to Jason Isbell’s critically-acclaimed 2013 album Southeastern will be called “Something More Than Free.” The album will be released through Thirty Tigers, and Isbell’s own Southeastern Records. Like his last album, the effort was produced by vaunted producer Dave Cobb.
Sturgill Simpson is now officially a major label artist. The Kentucky native who’s been making waves throughout country music over the last year with his award-winning album Metamodern Sounds In Country Music has signed to Atlantic Records, part of the Warner Music Group, and will release his next album currently being recorded through the major label.
The hope of fans of any independent music artist is that they will be able to achieve a sustainable career, and that their music will find wider appeal amongst the listening public. When an independent artist succeeds, it’s important that we pay attention to what lent to that success so hopefully more worthy artists can achieve similar results, and to ask what that success might mean.
The dream of many of the aspiring country music artists moving to Nashville in droves every year is to become a big star signed to a major label. Of course the reality is this dream comes true for so few, and even fewer who actually do get signed attain superstar status. However for some artists, as soon as they get that major label deal, their next goal becomes to get out, or to go independent.
When you navigate to jameyjohnson.com, it darn near takes the home page 15 seconds to load because the above banner proclaiming new music on the way is so damn big. Jamey’s fans aren’t complaining though. They’ve been waiting so long for new, original music from the songwriter, they’ll take any sign as a good one after a protracted legal battle.
Sunny Sweeney is an east Texas girl at her core, and no matter what Nashville does, it’s never possible to completely quiet those jangling spurs or smooth out that accent. She very much fits that mold of the Texas country artist that got big enough to be recognized by Music Row, but always felt just a little too authentic to do much more than experience that world from the outside looking in.
Big Machine Records, Jason Isbell, Kacey Musgraves, Lucinda Williams, Miranda Lambert, Provoked, Randy Weeks, Review, Scott Borchetta, Sturgill Simpson, Sunny Sweeney, Taylor Swift, Thirty Tigers, Will Hoge
Sturgill Simpson has arrived ladies & gentlemen, thanks to the resounding critical success of his new album Metamodern Sounds of Country Music that has permeated just about every corner of the independent roots music culture. From NPR, to The New York Times, to important periodicals in Europe, wherever you turn, someone is singing the praises of the Kentucky native.
Distribution and publishing company Thirty Tigers has signed critically-acclaimed singer-songwriter Hayes Carll to work on a new album this fall, with hopes for an early 2015 release. Carll is now considered one of the mainstays of country/Americana touring channels, playing an average of 200 shows a year.
Saving Country Music’s Artist of the Year, just like the Song of the Year and Album of the Year, is designed to eventually resolve down to one. But this is not always the case. It seems irresponsible to supplant one for the other because of some silly notion that you can only have one. Such is the case here in 2013 when handing out the honor meant to not just highlight the music, but the man or woman behind it.
Tristen is not a hunter, she’s a gatherer, listening intently to any song or influence regardless of format or era, and eagerly mining the little nuggets of nostalgic, retro gold that allow the warmth of memories to flow freely from the inner mind of listeners to lovingly embellish a song. She then embeds this warmth into her completely original, modern-day compositions resulting in music that is both fresh and hauntingly familiar.
Eastern Kentucky’s Sturgill Simpson will be releasing his long-awaited debut solo album High Top Mountain on June 11th, via Thirty Tigers. Comprised of 12 tracks, 10 of which were written by Sturgill, the album’s songs “…range from furious honky-tonk to pre-outlaw country rocking to spellbinding bluegrass pickin’ to emotional balladry, making the album a one-stop guide to everything genuine in country music.”