But this is the thing about Aaron Lewis and his anti-country stance: Normally this type of thing would solicit high praise from an outlet like Saving Country Music. And hey, I will give him credit for taking a stand. But Aaron Lewis, a dyed-in-the-wool rock gone country guy, is not the one to be delivering this message, I’m sorry.
Well so much for drama, pomp and circumstance, or anticipation. As informally as sticking a post-it note to the office billboard right beside a reminder to clean the microwave after each use in the breakroom, the ACM Awards have announced the apparent winners of the 2016 “New Artist” categories. Though during certain years, the ACM’s […]
If traditional-sounding country is ever going to return to the mainstream, it’s going to take young artists signed to major labels with the courage to adhere to their values and not compromise their sound in the face of the pressures and obligations that mainstream outlets put on them. Others may open the doors, but it will be up to artists like William Michael Morgan to step through.
…Back to the argument Blake Shelton had with Adam Levine on The Voice as America watched on, and they both battled to be picked as the judge for Adam Wakefield, Blake Shelton said some things about country that needed to be heard, and were quite surprising coming from Blake. Usually the banter between judges is quite lighthearted on the show. But in this case, it got fairly heated.
As Bro-Country was on the rise, think pieces all across media questioned the sustainability of such shallow music. And it turns out they were right. Florida Georgia Line and others brought throngs of new fans into the country fold, but they weren’t there to stay. Listeners moved on to the next craze, and even when country’s footprint was growing, it wasn’t growing at such a clip that it could sustain all the festivals . . .
Though this is not necessarily reflected in the performances, the general consensus is the Grammy Awards this year could be a big night for country music. With Chris Stapleton up for Album of the Year, Little Big Town up for Song of the Year, and other high-profile and important nominations, this is one of the few years country music could come out on top.
A week from this evening, the music industry will be gathering in Los Angeles for the the world’s biggest music event of the year: The Grammy Awards. Unlike many years, fans of true and traditional country music will have someone to root for when it comes to the night’s biggest prize, even if it isn’t the most ideal artist to champion.
For the last couple of years country fans have been questioning how chart managers for Billboard and other entities could listen to certain songs or performers and consider them country in the slightest. Yet here is a band making music that’s more country than it is anything else, and more country than most of what you hear on country radio, and Billboard is denying their admittance on the country charts.
Purported country music “viral star” Kane Brown is now a major label artist. And if you thought your acid reflux got a workout when you watched Luke Bryan and Sam Hunt up on stage claiming to be country singers, Kane Brown is guaranteed to kick it up yet another notch. The lesson of Kane Brown is that you can cheat to get ahead, and you don’t have to pay any dues or prove yourself in the marketplace.
So what in the hell are well-versed country and Americana fans who finds themselves in stiff opposition to folks like Luke Bryan and Sam Hunt supposed to feel about ol’ Isbell sharing the stage with these turkeys? I’ll tell you what they should feel, they should shut up and be happy because it’s yet another sign that the good stuff is breaking through, and is getting its deserved due on Nashville’s biggest stages.
Dierks has been doing this his entire career, and when his new album comes out, it will still be one of the better ones released in mainstream country all year I bet. But for now, he needs a bullet on the radio so he takes a bitter pill, swallows hard, a puts out a dumbass beach song. Eat your heart out Kenny Chesney.
Are you waiting for your favorite music artists signed to MCA Nashville to release an album after a prolonged hiatus? Perhaps you heard the first single months or sometimes years ago, but still no record? Well you’re not alone. It looks like the unenviable position of being the most notorious label on Music Row is no longer a slam dunk for Curb Records.
And so continued on the unrelenting march of terrible songs in 2015. This year included some especially diabolical turns that puts the last 12 months in contention for the worst run for songs in country music history. Of course the usual suspects appear on the rap sheet like Luke Bryan, Thomas Rhett, and Sam Hunt. But 2015 ushered in the worst year for watching previously heralded artists turning their coats from blue to red.
Alabama, Bret Michaels, Brett Eldredge, Cole Swindell, Danielle Bradbery, Eli Young Band, Eric Paslay, Gary Allan, Granger Smith, Jennifer Nettles, Kelsea Ballerini, Luke Bryan, Randy Houser, Sam Hunt, Scotty McCreery, The Band Perry, Thomas Rhett, Ucle Ezra Ray, Zac Brown Band
It’s all R&B. Like, all of it. If it’s American and mainstream, chances are it’s better categorized as R&B than anything else. It doesn’t matter what genre of music you’re talking about. Of course R&B sounds like R&B, but so does hip-hop these days. Modern rock? Yeah, it’s pretty much just R&B. Country music? That may be the most convincing case.
Adele, Alabama Shakes, Brett Eldredge, Bruno Mars, Carrie Underwood, Chris Stapleton, Coldplay, Country Music Gold, Eli Young Band, Gary Allan, Jason Aldean, Justin Timberlake, Leon Bridges, Luke Bryan, mono-genre, Old Dominion, Prophets and Outlaws, Sam Hunt, The Weeknd, Thomas Rhett
There you are, taking in Thanksgiving festivities with friends and family, proudly wearing an “I â™¥ Country Music” T-shirt (figuratively, at least), and celebrating one of America’s high holidays with a nice football game, and who comes on the television acting as country music’s ambassador to the rest of the world but Luke Bryan, up there ordering all the country girls to “shake it for the crickets and the critters and the squirrels.”
There’s not a single song on Old Dominion’s new album Meat and Candy that shouldn’t have been aborted in the womb. This is the type of material professional songwriters throw together to crack themselves up in writing sessions to lighten the mood. But in an utter breakdown in the system, it somehow found its way completely unabridged onto a record.
One of the few bright spots in mainstream country for so many years (though he’d throw an unfortunate single out there upon occasion), when he released his latest single in March called “Hangover Tonight,” some wondered if the hard-edged 47-year-old had lost his mind. This wasn’t the Gary Allan we all knew, all dressing in crushed velvet suits and doing his best Bruno Mars impression.
If you haven’t heard of Kane Brown, you’re about to, whether you like it or not. You can pride yourself in being one of those country music fans impervious to the buzz machine the industry uses to attempt to reel you in. But Kane Brown is coming, and he will be ubiquitous . . . unless his entire career implodes on itself.
Granger’s incredibly generic and pandering new single “Backroad Song” has just been sent to mainstream country radio proper. And with a big Nashville label behind it now, the single has become the 2nd most added song to country radio stations in the last two consecutive weeks, and is about to get yet another power boost of infinite proportions.
Quietly, stealthily, some of country music’s major labels are starting to retool with very young, and very country performing talent. Whether they’re hedging their bets, or hoping for a hard country resurgence, Mo Pitney is not just an anomaly anymore, he is one of a number of traditional-leaning performers being groomed for what may be the next big movement in country after the current R&B disco craze invariably crashes.