Whether it will actually happen or not remains to be seen, but if country music in the mainstream decides to swing back more towards the traditional side, many of Music Row’s major labels will be ready to take advantage with a new generation of young, fresh, and traditionally-leaning talent already signed to contracts, already getting experience on the road and on big stages, and even finding some success with singles.
Being willing to go where a song takes you is the challenge in the heart of every music lover. Hopefully one of these songs released in 2015 will take you some place you want to be, or somewhere you’ve never been before. These songs were selected on their own merit, not from the strength of the artist or album from where they came.
Brennen Leigh, Cody Jinks, Dawes, Eric Church, Eric Paslay, Evan Felker, James McMurtry, JB Beverley, John Moreland, Justin Townes Earle, Kacey Musgraves, Love and Theft, Mo Pitney, Randy Rogers, Ray Wylie Hubbard, Sunny Sweeney, Turnpike Troubadours, Wade Bowen
2015’s Album of the Year candidates might constitute the most wide open field of contenders since this exercise has been in practice. There’s no clear front runners, anyone could win, and each candidate has pluses and minuses. Like every year, your opinion counts, and may even count more this year with no clear front runner.
Brandi Carlile, Chris Stapleton, Don Henley, James McMurtry, Jamie Lin Wilson, Jason Boland and the Stragglers, Jason Isbell, Jason James, John Moreland, Kacey Musgraves, Lindi Ortega, Lonesome Wyatt, MIke and the Moonpies, Rachel Brooke, Randy Rogers, Roo Arcus, Ryan Bingham, Turnpike Troubadours, Wade Bowen, Ward Thomas, Whitey Morgan, Whitey Morgan and the 78's, Yelawolf
There’s not a single song on Old Dominion’s new album Meat and Candy that shouldn’t have been aborted in the womb. This is the type of material professional songwriters throw together to crack themselves up in writing sessions to lighten the mood. But in an utter breakdown in the system, it somehow found its way completely unabridged onto a record.
Over the last couple of weeks, Saving Country Music headquarters has received a fresh new onslaught of emails on the subject of pop country über DJ Bobby Bones—the morning show personality for iHeartMedia’s syndicated network and the single-most name at the forefront of homogenizing American mainstream country music radio. Let’s tackle some of these subjects . . .
Though the announcement of her debut album is something to celebrate for her fans, it also shows yet again how country music’s females, especially the non-established up-and-comers, are being treated as second class citizens by labels. It is this systematical, logistical downgrading of female performers that is making the struggles of country’s women a self-fulfilling prophesy.
Heading into the final couple of months of 2015, there may not be a hotter name in country music among critics and distinguished listeners than Chris Stapleton. The long wait for his often-rumored and much-delayed debut album was finally rewarded on May 5th with the release of the Dave Cobb-produced “Traveller,” and fans were not let down.
Maddie & Tae have become the perfect foil to today’s male country stars. They’re like the Minnie Pearl of country music’s Millennial generation. Staunch traditionalists are never going to give Maddie & Tae a serious chance, but that doesn’t mean their music (and “Shut Up and Fish”) doesn’t symbolize a wholesale reversal of course for what we’re used to the mainstream serving.
“18,700”: This is the number of albums Toby Keith sold upon the debut of his new record 35 MPH Town, and it got me to thinking, which artists and bands have beat that number in a year of unprecedented ascent in independent country music? 2015 is the year it became common to see one of your favorite independent acts and aging legends compete at the top of the album charts.
Like so many of these contestants, not much has come of Jake Worthington in regards to industry success after his finale appearance in May of 2014, but he has just released a new EP. Settling somewhere between John Anderson and George Strait, this five-song offering is a straight-laced true country testament from start to finish that leaves little to no doubt where the heart of the young Jake Worthington lies.
American Idol, Blake Shelton, Chris Stapleton, Craig Wayne Boyd, George Strait, Jake Worthington, John Anderson, Johnny Cash, Kacey Musgraves, Review, Scotty McCreery, Sturgill Simpson, The Voice, Wayne Mills
Announced today in press release fashion, the 49th Annual, 2015 CMA Awards will be opened by newly-signed NASH Icon recording artist Hank Williams Jr. singing Waylon’s interpretation of Neil Young’s “Are You Ready For the Country?” first released on an album of the same name by Waylon in 1976. Hank Jr. will be joined by Eric Church in the rendition.
Are You Ready for the Country, Chris Stapleton, CMA Awards, Eric Church, Hank Williams Jr., Kacey Musgraves, Lee Ann Womack, Maddie & Tae, Meghan Trainor, Merle Haggard, Miranda Lambert, NASH, NASH Icon, Neil Young, Waylon Jennings, Willie Nelson
Emmylou Harris and long-time collaborator Rodney Crowell have a new album out with called ‘The Traveling Kind,’ and while speaking in a joint interview with radio.com recently, Emmylou had some interesting words about what she thinks about today’s country music.
We knew George Strait couldn’t keep from stirring for too long. Though he played his final shows as a touring artist in 2014 on his way to racking up astronomical numbers for his farewell junket and finding himself being named Entertainer of the Year by both the CMA and ACM Awards for the effort, you had to know he wouldn’t sit tight for good.
Some of the best cover songs are not the ones that are easily-recognized by the audience, but the ones that didn’t receive their due credit the first time around. This is the case with “Are You Sure,” which can stand right beside other iconic Willie songs from early in his career like “Night Life” and “Hello Walls” to be considered timeless in their message.
On Wednesday morning (9-9), the nominees for the 49th Annual Country Music Association Awards were announced on ABC’s Good Morning America, with decidedly non-country personalities of Steven Tyler and Kelsea Ballerini helping to make the announcements. The 2014 CMA Awards will happen on Wednesday November 4th on ABC, and will be hosted once again by Brad Paisley and Carrie Underwood.
Blake Shelton, Carrie Underwood, Chris Stapleton, CMA Awards, Eric Church, Kacey Musgraves, Kelsea Ballerini, Kenny Chesney, Little Big Town, Luke Bryan, Maddie & Tae, Miranda Lambert, Nominees, predicitions, Sam Hunt
We bitch, we moan, we criticize, we celebrate the symbolic little victories that give us hope that a sea change for country music is imminent, or at least slowly taking hold, even though in many respects things only seem to get worse every year. And we look for ways to implement meaningful solutions to the problems plaguing country music so it can once again become a medium of creativity.
Boy how the entertainment media loves to ruminate on country music’s female dilemma, and how unfair it is that so many fine and talented female voices are going unheard. It’s the perfect topic for Northeast-based periodicals to piggy-back their political and sociological parallels onto, to prove the patriarchal oligarchy is still very much alive in America’s rural and Southern landscapes.
In one corner you have the wily veteran who’s sold more than 80 million records worldwide and racked up untold awards and accolades during his quarter century career. In the other corner you have the scrappy young upstart who after years of paying dues on the club circuit can now sell out three consecutive nights at The Ryman Auditorium in 30 minutes and is on the tip of everyone’s tongue as the name of one of the best songwriters around.
Dear Luke Bryan, Thanks for taking the time to read my letter, if in fact you do so. I can only imagine the time constraints a man of your success has, and you’ve already been taking of your time over the last few days to help clear up a mess that I guess I had some part in creating.
Aaron Watson, Blackberry Smoke, Blake Shelton, Dallas Davidson, Florida Georgia Line, Gary Overton, George Strait, Kacey Musgraves, Keith Hill, Luke Bryan, Merle Haggard, Sam Hunt, Sturgill Simpson, Waylon Jennings, Willie Nelson
There’s no typo here. I didn’t forget the last name, or the second half of the first. Believe it or not, there really is a new female country artist condensedly known as “Cam,” and she’s creating quite a buzz around her new song, and her newish style that has some wondering if she will be the one to solve the problem of women with substance finding success in country music.
Regardless of how you feel about Kacey Musgraves, her music, her politics, or the ideologies she espouses, she symbolizes nothing short of a victory in the effort to save country music. To have a major label artist release an album like Pageant Material, full of traditional country leanings and songwriter-based material, is a sizable leap forward for the genre.
Kacey Musgraves has found her niche, and she’s not wavering. When she released “Biscuits,” which was so eerily similar to “Follow Your Arrow” (partly because the two songs were dreamed up in the same writing session), we assured ourselves that it was just one song, and once we hear the full breath of Musgraves’ upcoming album Pageant Material it would exhibit much more variety.
A massive Waylon Jennings tribute show in Austin, TX has just been announced, and the lineup is something to salivate over. Set to transpire on July 6th and Austin’s Moody Theater (where Austin City Limits is taped), organizers Blackbird Music Group made use of the fact that many of the big names would already be […]
Austin, Billy Joe Shaver, Buddy Cannon, Chris Stapleton, Don Was, Eric Church, Jamey Johnson, Jessi Colter, Kacey Musgraves, Kris Kristofferson, Lee Ann Womack, Moody Theater, Ryan Bingham, Shooter Jennings, Sturgill Simpson, Toby Keith, Waylon Jennings, Willie Nelson
Despite your desire to see Musgraves become that artist that can deliver a more traditional sound and intelligent scope to country, desire doesn’t always match execution. Criticism for Musgraves as a “boring” live performer is pretty common. And similar to Same Trailer, Different Park, the roll out of the new album so far has been less than smooth.