Scott Borchetta’s gamble has paid off, and “Girl In A Country Song” is now #1 on country radio according to Mediabase. The distinction shatters a slew of dubious distinctions for the country format, and helps to slay the absolute dearth of female representation on country radio. It means that country radio has its very first female-led act to hit number one on country radio in over 2 years.
In the vacuum of true choice, Music Row is attempting to appeal to both sides of the “bro-country” issue so they’re insured to not lose anyone’s business. Whether you’re for or against “bro-country”, someone mentions it and your country music world is immediately polarized, attentive, and ready to pounce. This is why Scott Borchetta is an evil genius; he gets you coming and going.
So many of pop country’s celebrities have such a vacuous amount of life skills, without being propped up as pretty faces by the country music industry, they’d be clueless in the real world. Others probably have some skills outside of singing into Auto-tuners at concerts, and that’s probably what they should be doing instead of trying to be artists.
American Songwriter: People have been calling you an outlaw. Is that an image you’ve tried to create for yourself? Eric Church: Oh god. No! Not at all. Yet a quick check of Eric Church’s website finds a whole page dedicated to “Outlaw” branding, with “a brand new “Outlaw T-Shirt” now available for sale in the online store.
This weekend, former guitarist for the Drive By Truckers and current solo artist Jason Isbell accused Dierks Bentley of ripping off his song “In A Razor Town”. This is only going to become more and more common, and much harder to sort out as every single pattern and possibility of notes and chords gets occupied by the unnecessary amount of songs, albums, and artists out there.
The fact that this album even exists seems like a miracle in this day where superstar franchises like Miranda are micro-managed. Side projects, or just generally allowing artists to do what they want, is traditionally not allowed in any shape or form. However Hell on Heels slipped through the cracks for whatever reason, and for mainstream fare, it is not bad at all.
If you want to listen to a true, creative meld of hip hop and country, go listen to some Beck or some Paul’s Boutique-era Beastie Boys. But this Colt Ford stuff is garbage, despite a few catchy lines, and as far as I’m concerned, lending your name to a Colt Ford project lands you a card carrying membership to the “Colt Ford Collaboration Blacklist”. Here’s the names I’ve amassed so far…
I thought we had moved on from the “new Outlaw” era, to pop country stars trying to be the next Taylor Swift. Well apparently not. Now Miranda Lambert’s hubby Blake Shelton wants in on the fun, releasing a song called “Kiss My Country Ass”, an unapologetic, unveiled attempt at the Music Row “Laundry List” songwriting formula, that takes it to another level by rehashing David Allan Coe’s “If That Ain’t Country” and introducing “Outlaw” Blake to the spoon-fed masses.
Tonight is the maiden voyage for the dumb “American Country Awards,” Fox TV and Rupert Murdock’s own personal pop country infomercial, and before it even gets off the ground it’s littered with controversy. When they first announced the new awards show, they touted it as “The first and only country music awards show where fans determine all the winners by voting for their favorite nominees in music and video categories.”
After the 2010 CMA’s some wanted to hang a “Mission Accomplished” banner for saving country music because folks like Brad Paisley and Miranda Lambert walked away with big awards while the usual cast of pop country performers got the razz. Little they know this is all theater to keep us purists from not getting to restless, and setting up Taylor Swift to sweep the awards in 2011.
A review of Jamey Johnson’s new album The Guitar Song is coming, but since every time the words Jamey and Johnson are mentioned a brew ha ensues, I hope with this to get some of the drama and positioning statements out of the way so the review can purely be about my take on the album, and not the sideshow the mention of his name creates.
Today is the 4th of July: the birthday of The United States. It is also arguably the birthday of the Outlaw movement in country music. Nailing down an exact date when the Outlaw movement started depends on who you talk to, but a popular one is when Willie Nelson’s legendary 4th of July Picnics started […]
The sheer speed at which American pop country is devolving before our very eyes can only be described as “awesome.” It is the evolutionary equivalent of if we could witness a species of apes evolve into a new race of humans in the length of a football season. As the creatively bankrupt boardrooms of Music […]
Remember back when Taylor Swift won the CMA for Entertainer of the Year? We thought it couldn’t get worse for country music. There was a lot of surmising of where country music might go next after that win. Would there be a traditionalist backlash? Would country become even more pop oriented to try to mimic […]
There is a war going on right now for the heart of country music my friends, and we just had a salvo shot right into our belly. I would love to be sitting here writing about one of the countless original, highly-talented bands out there that Music Row won’t even let sniff it’s panties, but […]
I’ve had a working theory for a while that 75% of what you hear on mainstream country radio today can be traced back to a small handfull of songs by Bob Seger and The Black Crowes. Darn near 1/3 of them can be traced back to Seger’s “Night Moves” alone. Well it might be time […]